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‘A masterly peek into the computer-obsessed electronic global ghetto, narrated in a futuristic sland-enriched vocabulary’
Time Out
‘Gibson is the foremost of a group of young American writers who are recording today’s hip, streetwise, computer-literate youth in science fiction terms’
Fiction Magazine
‘Gibson is the Raymond Chandler of SF’
Observer
‘Gibson is up your alley. He is a technological fantasist with unparalleled sensitivity… wired direct to the mains’
New Musical Express
In the Matrix of cyberspace, angels and voodoo zaibatsus fight it out for world domination and computer cowboys like Turner and Count Zero risk their minds for fat crumbs.
Turner woke up in a new body with a beautiful woman beside him. They let him recuperate for a while in Mexico, then Hosaka reactivated his memory for a mission more dangerous than the one that nearly killed him.
The head designer from Maas-Biolabs is defecting to Hosaka, or so he says. Turner has to deliver him safely, and the biochips he invented – which are of supreme interest to other parties, some of whom are not human.
Count Zero is human. Indeed, he’s just a kid from Barrytown, and totally unprepared for the heavy duty data coming his way when he’s caught up in the cyberspace war triggered by the defection. With voodoo on the Net and angels in the software, he can only hope that the megacorps and the superrich have their virtual hands full already.
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Most Helpful Customer Reviews
12 of 12 people found the following review helpful:
5.0 out of 5 stars
Brilliant (but also complex)!,
By
This review is from: Count Zero (Paperback)
First realise that this is the 2nd book of a trilogy that is "Neuromancer", "Count Zero" and "Mona Lisa Overdrive". I don't advice reading this until you've read Neuromancer and have got into the whole cyberpunk vocabulary.The plots in the storyline are deliciously challenging to unravel and Gibson certainly doesn't spoon-feed you all the threads that intertwine everything. I think putting everything together took me 24 hours after finishing the book. The secret (and illegal by Turing police rules) unification of two AI's called Wintermute and Neuromancer has left unexplained entities in the matrix - "Yeah, there's things out there, Ghosts, voices. Why not? Oceans had mermaids, and we have a sea of silicon, see?" These matrix "voodoo gods" are referred to as the "loa" by Wig, Beauvoir, Lucas and their associates (who basically worship them). The problem is that the "loa" have found a way to inhabit the real world by designing biochips and having them grafted into people's brains. This technology provokes the interest of one of the richest men in the world who is seeking to free his mind from his cancer-ridden body. The resulting power struggle pulls the strings of all the pawns that are characters in the book. Read it, you might see what I mean?
4 of 4 people found the following review helpful:
5.0 out of 5 stars
POETIC DREAMSCAPES OF A DISTOPIC FUTURE...(Part 2),
By
This review is from: Count Zero (Paperback)
I have read this masterpiece (together with the other two of the Sprawl series: NEUROMANCER and MONA LISA OVERDRIVE) during my university years, about a decade ago. Since then I have re-read it countless times.
Of the three this is my favorite: good and evil voodoo legbas as AI cyberspace avatars; life in the Sprawl comes into focus, sharply. The eye-watering smog and the ozone smell of new electronics surround a storyline that moves on deserted highways with the assurance of an armored hovercraft.. Even reading only some pages brings up powerful imagery, unforgettable prose... Start with Neuromancer. Then this one. And then Mona Lisa Overdrive. A Masterpiece Trilogy!!! Own them all!!!
13 of 16 people found the following review helpful:
5.0 out of 5 stars
Even better than Neuromancer (heresy?),
By A Customer
This review is from: Count Zero (Paperback)
I loved Neuromancer, but found some of it too much of an information overload, and some of it a little too baroque and "out there". (I'm sure those don't even count as criticisms, when you're talking about Gibson). I found Count Zero just a little tighter, with a slightly stronger narrative, without sacrificing anything in the way of character, imagination, or Gibson's realisation of the Sprawl.It was great to see Sally Shears back, and the Count was a fine young successor to the Matrix jockeys of the first book in the Sprawl Trilogy. The main plot of the hard-bitten defection specialist and the girl with biological computer implants was woven beautifully with all the other strands. What is in effect a three-pronged story line never lost focus for a second and still managed to take the reader off into a disturbing, worrying and yet enthralling new reality with the creatures out in the Matrix. This is Gibson's best book, and up there with the best Sci Fi and best thrillers and crime books I have ever read. If there's any justice Ridley Scott will be given $150 million to film this with total creative control (and Gibson writing the screenplay). Top marks.
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