Aren't we all just suckers for the nice little morality tale that puts us into that 'spirit-of-man' mood? And why not? Here is one such pleasant little movie, one that's good to curl up with in front of a glowing fire when it's blowing a winter hooligan outside. It's not on earth-shaker, nor does it pretend to be. In fact, the simple premise of the story - nice, put-upon cop splits his lottery winnings with nice, put-upon waitress - may be a slight stretch of reality too far, but hey, it's just a fable. And in fables, most everyone gets their just deserts, which is exactly what we find here: there are no surprises, we just enjoy the ride and want to push Charlie and Yvonne closer together - WE know they're made for each other! Nic Cage is rather good at this light 'everyman' sort of role and far more comfortable than more recent sci-fi or thrill-seeking outings, whilst Bridget Fonda makes a sweet partner as the warm-hearted, vulnerable waitress. You could say they both have little to do but be nice: that would be unkind since they have chemistry and work their corners convincingly, they get us rooting for them against hiss-boo lawyer Richard Jenkins and Charlie's shrewish wife Rosie Perez - along with her grating Latino-New York accent, the only jarring element in the picture is how Charlie came to be married to this harpy in the first place! However, Isaac Hayes' guardian angel in the form of a New York journalist ensures that triumph follows pathos and the glow - predictably - returns to our hearts, subtly swept along by the fairy dust of Carter Burwell's music score. It may sound trite but if you don't expect too much, the magic works well. This movie won't change your life, but it will probably brighten your day, and what's wrong with that?