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| Song Title | Time | Price | |||
|---|---|---|---|---|---|
| 1. 345 | 0:26 | Not Available | |||
| 2. All Over Again | 3:22 | Not Available | |||
| 3. Headlights | 4:35 | Not Available | |||
| 4. Tuesday | 2:11 | Not Available | |||
| 5. Turn On The Light | 2:04 | Not Available | |||
| 6. Poison | 2:23 | Not Available | |||
| 7. Angel Of Forgiveness | 3:01 | Not Available | |||
| 8. Big Brother | 2:28 | Not Available | |||
| 9. Epiphany | 2:31 | Not Available | |||
| 10. Breakup Song For Brook Pridemore To Sing | 2:57 | Not Available | |||
| 11. Whatcha Gonna Do | 2:59 | Not Available | |||
| 12. Rachel | 2:13 | Not Available | |||
| 13. Mixtape | 0:08 | Not Available | |||
| 14. Tape Recorder | 4:16 | Not Available | |||
| 15. 2000 Miles | 2:29 | Not Available |
Product details
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Ranging from the punk-spirited classics from the late 70's such as the seemingly omnipresent 'Oliver's Army', and 'Watching The Detectives', we then follow Elvis through the slightly less energetic early eighties, with laid-back ballads like 'Good Year For The Roses' and the absolutely outstanding 'New Amsterdam' and the anti-Falklands protest song 'Shipbuilding'.
Then comes the late-80's, early 90's era, (known as 'The Beard Years') where Elvis gets a bit arty on us, but yet still managed to produce music of the highest calibre, even if he was possibly taking himself a bit seriously at the time. A good example of a lesser known track from this era is present here, namely 'Tramp The Dirt Down' (from 'Spike'), with it's celtic instrumentation and scathingly brutal lyric (aimed at Margaret Thatcher), it's a brilliant song that proved that the angry young man inside him was still very much alive and able to express himself most eloquently. Another song from Spike to appear on this album is 'Veronica', a brilliantly lively song that deals with the issue of dementia in a way that no other artist could possibly have achieved. Co-written by fellow scouser Sir Paul McCartney, this is pop musicality of the highest order, and if you remember it as a single that you might have not paid much attention to at the time, now is your chance to have a second listen.
We're brought (nearly) up to date with Elvis's return to his 'back-to-basics' rock ensemble with the track 'Sulky Girl', recorded with The Attractions. Also included is his hit single 'She' from the Notting Hill soundtrack, which is one of the less 'essential' tracks on the album (and possibly shouldn't be here at all).
For me, the joy of this album is the sheer brilliance of Elvis Costello's songcraft, rivalled only by the very best in the business. His lyrics are always meaningful, fascinating, intellegent, thought-provoking, at times controversial, and always extremely entertaining. If you don't like this album, you don't like music, period.
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