Frequently praised as Creedence's best record, "Cosmo's Factory" was released in the summer of 1970, going straight to #1.
Six of the seven original songs had already been released as singles, and all of them, A-sides and B-sides alike, had charted in the top 5 in the US.
So it's no wonder, really, that when the LP finally came out, the remaining five songs only included one more Fogerty original, the nightmarish seven-minute hard rock jam "Ramble Tamble", in addition to decent covers of "Ooby Dooby" and "My Baby Left Me", a good (if perhaps over-long) 11-minute cover of "I Heard It Through The Grapevine" which featured a terrific performance by the rhythm section, and a wonderful, swaggering cover of Bo Diddley's classic blues "Before You Accuse Me".
I don't think of "Cosmo's Factory" as Creedence's best record (that would be the immensely tight and cohesive "Green River"), but you can't deny the incredibly high quality of most of these songs, the Fogerty originals in particular.
From the driving Little Richard-pastice "Travelin' Band" with its churning horn section to the dense, foreboding hard rock of "Run Through The Jungle", this is prime John Fogerty, and the entire band never played better. "Up Around The Bend" is as joyous and as infectious as anything from Fogerty's pen. The soulful slowie "Long As I Can See The Light" is one of his best vocal performances, and his best attempts at a real soul ballad. The lightweight pop song "Looking Out My Back Door" with its druggy images of "wonderous apparitions provides by magicians" is Fogerty at his silliest, but also at his sweetest and most melodic. And the subtle, elegant and melodic folk-rocker "Who'll Stop The Rain" is one of his lasting claims to fame.
The bonus tracks on this 2008 anniversary edition consists of a remake of "Travelin' Band" (it's pretty much identical to the master, only without the horns and the piano), a decent but unremarkable and slightly fuzzy live recording of "Up Around The Bend" from the band's last European tour just before their final demise, and a pretty good 1970 studio rendition of "Born On The Bayou" with Booker T. Jones and the Memphis Group lending a hand. Good enough, but not all that remarkable.
There just isn't anymore high quality Creedence in the vaults, and like on the other 2008 reissues, the bonus tracks aren't really reason enough to start buying all of Creedence's albums again. But if you're a first-time buyer, be sure to get this edition, not so much for the bonus tracks as for the wonderful, crisp and realistic sound.