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Posted to Naples – at his own request – Aurelio Zen is more than content with his life. At work he comes late and leaves early. His staff are loyal and he ensures that they have a vested interest in being so. He has a strong friendship with a lady of many charms, Valeria Squillace, who knows him as Alfonso Zembla, an accidental pseudonym that is proving invaluable. And then, in a way that our unconventional policeman could not have anticipated, everything falls apart.
A knifing, a series of vanished persons, a lost American, suspected Mafioso, a plot to destroy two romances and, finally, Aurelio’s missing mother, all come together to shatter his comfortable new life.
Michael Dibdin is in sparkling form in 'Cosi Fan Tutti', twisting his plot with panache.
Read by Martin Shaw
--This text refers to an out of print or unavailable edition of this title.
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These Zen novels just get even more superb as the series goes on, and I'm amazed at how Dibdin does it. Cosi Fan Tutti is a sun-drenched melodrama of a story, told in an absolutely charming style, rather reminiscent of an opera (Dibdin's intention, clearly). It has a completely different tone and tenor to the previous novels; it has a lighter feel to it that suits the series even better than the previous one. Of all the novels, this is the one I've enjoyed most so far, and it's mostly because of this shift in style, this melodramatic, operatic touch (the final 10 pages are an absolute triumph!) Zen is, as always, his usual brilliant self: cynical and cunning, his every endeavour aimed at giving himself an easy life. Until a bit of inconvenient crime shows up, anyway.
Really, I've got to plead with you: read this series! If you're a fan of crime fiction (if you like Rankin or Connelly, or if you adore the disenchanted eye of Donna Leon) then you can't let Zen and Dibdin pass by. Start with Ratking, and then sit back and enjoy. You won't regret it for a minute.
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