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Framed by matriarch Enid Lambert's attempts to gather her three grown children back home for Christmas, The Corrections examines their lives: Enid's husband Alfred, sinking into dementia, her sons banker Gary and writer Chip (now in Lithuania) and daughter Denise, a chef, busily re-evaluating her sexual identity.
With these characters, Franzen gives himself plenty of room to examine the foibles, fears, hopes, anxieties and neuroses of 21st-century American life and the mad Lithuanian subplot provides some real laughs. But most striking and surprising about The Corrections is its reassuring normality. Despite all its well-signposted dysfunction, this remains at heart a big sprawling family saga, with all the security that implies. The book closes with Enid noting "that current events in general were more muted or insipid nowadays than they'd been in her youth" during the Great Depression of the 1930s. Now, "disasters of this magnitude no longer seemed to befall the United States". It's a line Franzen couldn't have written after 11 September, 2001--and, perhaps because of its now forgotten confidence, The Corrections is a book that readers will take to their hearts.--Alan Stewart --This text refers to an out of print or unavailable edition of this title.
Enid, the mother, while not assertive in a traditional sense, cleverly wields the age-old guilt ploy to get her own way. Albert, the father, suffers from Parkinson's-induced dementia and creates enormous strains on the rest of the family's emotional resources. Each of the children, now adult and living away from home, brings to the reunion the baggage of the past and the insights obtained independent of the family.
Seven years in the making, this novel is an intimate, domestic drama, smoothly incorporating themes which question who we are, what we owe our parents, how we become who we are, and where we are going. Franzen's pointed observations about contemporary life--as revealed by upscale restaurants, the "green movement," cruise ship behavior, use of the internet for fund-raising, dispensation of "happy pills," nursing homes, and even the crassness of Christmas--enliven the plot as it spirals around and through time and the lives of the five characters. Albert's decline, told in part from his point of view, is particularly heart-breaking. This book offers a stunning and intimate view of a middle-class American family, its values, and its dreams, all presented with wit, sensitivity, and power. Mary Whipple
It succeeds in being both a novel of the heart and the head. There are plenty of ideas in this book but Franzen doesnt let the ideas and themes obscure the characters in the book, of which there are several, all realised in clear detail. Apparently the author wrote parts of this novel in the dark to avoid cliche and if so his technique certainly worked. The writing is witty, loaded with insights into our routine and habits: in short the way we live our lives.
Franzen tackles a variety of subjects with aplomb. He can be humorous, touching, sexy, informative, sad, farcical, but is always, always, honest. And, as he gropes around the edges of the story, riffing on the things that interest and intrigue him, he always reins evrything in for the greater good of the structure of the novel.
A book which,like so much good literature, shows you the way the world works, in a way you always knew but never realised you really did until you were told.
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