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Trade in The Corrections (Fourth Estate 25th Anniv Edtn) for an Amazon.co.uk gift card of up to £3.60, which you can then spend on millions of items across the site. Plus, get an extra £5 when you trade in books worth £10 or more until June 30, 2012. Trade-in values may vary (terms apply). Find more products eligible for trade-in.
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Framed by matriarch Enid Lambert's attempts to gather her three grown children back home for Christmas, The Corrections examines their lives: Enid's husband Alfred, sinking into dementia, her sons banker Gary and writer Chip (now in Lithuania) and daughter Denise, a chef, busily re-evaluating her sexual identity.
With these characters, Franzen gives himself plenty of room to examine the foibles, fears, hopes, anxieties and neuroses of 21st-century American life and the mad Lithuanian subplot provides some real laughs. But most striking and surprising about The Corrections is its reassuring normality. Despite all its well-signposted dysfunction, this remains at heart a big sprawling family saga, with all the security that implies. The book closes with Enid noting "that current events in general were more muted or insipid nowadays than they'd been in her youth" during the Great Depression of the 1930s. Now, "disasters of this magnitude no longer seemed to befall the United States". It's a line Franzen couldn't have written after 11 September, 2001--and, perhaps because of its now forgotten confidence, The Corrections is a book that readers will take to their hearts.--Alan Stewart --This text refers to an out of print or unavailable edition of this title.
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Enid, the mother, while not assertive in a traditional sense, cleverly wields the age-old guilt ploy to get her own way. Albert, the father, suffers from Parkinson's-induced dementia and creates enormous strains on the rest of the family's emotional resources. Each of the children, now adult and living away from home, brings to the reunion the baggage of the past and the insights obtained independent of the family.
Seven years in the making, this novel is an intimate, domestic drama, smoothly incorporating themes which question who we are, what we owe our parents, how we become who we are, and where we are going. Franzen's pointed observations about contemporary life--as revealed by upscale restaurants, the "green movement," cruise ship behavior, use of the internet for fund-raising, dispensation of "happy pills," nursing homes, and even the crassness of Christmas--enliven the plot as it spirals around and through time and the lives of the five characters. Albert's decline, told in part from his point of view, is particularly heart-breaking. This book offers a stunning and intimate view of a middle-class American family, its values, and its dreams, all presented with wit, sensitivity, and power. Mary Whipple
The book is very strong on characterisation, each family member is sufficiently complex to make the reader feel differing emotions towards them at different points in the book. Franzen is very good at describing the emotions that drive his characters to behave and act in the (often cruel) way that they do.
The book contains some wonderful prose, is often very funny, and is thoroughly unsentimental in its portrayal of both families and the world in which we live. Franzen also has interesting things to say about materialism and consumerism, and how deeply engrained in society these values have become.
My main criticism would be that the book is rather long and sags somewhat in the middle, sometimes Franzens descriptions become overelaborate and you start to want the story to move a bit faster.
However, the book is well worth sticking with as the last 150 pages or so are the best, and I found the ending moving and satisfying. If you can overlook the hype and judge the book on its own merits, there is a lot to admire here.
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