This new recording made by Helene Grimaud proves eventually that classical music isn't as narrow as some people tend to say. The program presented has been carefully planed by the artist(listen for example to the allusion to the Tempest Sonata achieved by Grimaud, just after the first orchestral entry of Beethoven's Choral Fantasy)
Besides this architectural aspect, one can agree that Grimaud's charisma is indeed unique. The way she captures such intensity in Corigliano's Fantasia, with such a small thematic material, is incredible, as in Beethoven's Choral Fantasy, a work that some would define as a "minor" piece, but which takes all its expression under Grimaud's fingers.
As for the Credo - which is also the title of the recording (a very rare attempt for a classical album) - although I like it a bit less, the imagination and the enthousiasm that emanates from the pianist are just fabulous, and makes the work enjoyable.
Both Salonen and the orchstra have done a great job, with such conviction that one can only love this recording.
For French speaking fans of Helene Grimaud, I invite them to buy immediately on Amazon's french site her own "biography" she wrote beautifully - I do not exaggerate - by herself, Variations Sauvages (Wild Variations), in which, besides her qualities as a writer, shows us (just like in the booklet of the CD) that she is also a very fine philosopher.