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Shortly after moving into an old house with strange tenants above and below, Coraline discovers a big, carved, brown wooden door at the far corner of the drawing room. And it is locked. Curiosity runs riot in Coraline's mind and she unlocks the door to see what lies behind it. Disappointingly, it opens onto a brick wall. Days later, after exploring the rest of the house and garden, Coraline returns to the same mysterious door and opens it again. This time, however, there is a dark hallway in front of her. Stepping inside, the place beyond has an eerie familiarity about it. The carpet and wallpaper are the same as in her flat. The picture hanging on the wall is the same. Almost. Strangest of all, her mum and dad are there too. Only they have buttons for eyes and seem more possessive than normal. It's a twisted version of her world that is familiar, and yet sinister. And matters get even more surreal for Coraline when her "other" parents seem reluctant to let her leave.
Her attempted escape from this nightmare alternative reality sees Coraline experience a chilling series of ever more bizarre encounters. Some are plainly odd, others disturbingly spooky and together they combine to form an immensely readable story. It's like all the best bits of the Goosebumps books condensed into 160 pages. A unique reading experience guaranteed. (Ages 10 and over)--John McLay
So it seems. But it doesn’t take long for the vague uneasiness to develop into something quite extraordinary.
Coraline is a remarkable story of doorways and monsters and games played out in extraordinary surreal surroundings. A tale where the logic of dreams rules everything and where the most irrational things make complete sense. The fine thing about books like this – about this particular kind of dreamlike, irrational nightmare – is that they possess the power to lift you up a bit from all the banal moralisation and frustrations by confronting you with something truly timeless and timelessly significant. It works almost at the same level as the old myths and legends of fantastic battles with impossible creatures but here in a completely modern way. The result is always strangely life-affirming. I think that this is one of the key features of true supernatural/surreal horror writing of this particular kind – the way that it can, while undeniably painting a picture of a lot that is horrible and monstrous and exploring to the limit the dark side of the mind, it will at the same time reaffirm your love for the world and perhaps cure the bitterness – at least for a while. A writer less connected with the deep traditions of the horror tale than Neil Gaiman might quite easily have turned the idea into some sort of indictment of Coraline’s real parents or the grey word around her – some sort of social criticism or allegorical ‘warning’. But instead we find ourselves, as the book progresses, actually coming to love these mediocre people warts and all along with her. And warts and all affection sometimes seems to be alarmingly rare.
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