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Well, with recordings like this one, Copland's legacy has a good advocate! This Midwestern orchestra just shines in this kind of music--the strings are sweet, but yet balance that sweetness with a clarity that is jaw-dropping. For example, I don't think Ormandy's incredible Philadelphia players would be as idiomatic in this music as St. Louis. Philly's warm tone, so apt in the music of the late Romantics, would just get in the way of Copland's wonderful orchestration.
What can I add? Slatkin stays out of Copland's music's way, which is all to the good. Don't mess with perfection! The Red Pony is great fun. Our Town is moving. The Heiress Suite is fine, but not my favorite Copland. Music for Films is music that communicates so well what the different movements are supposed to depict...etc. Great sound, too.
How nice it is then to be able to go back to the source, and have rendered in so superb a fashion as it is by Slatkin & the St. Louis Symphony Orchestra. Slatkin, as usual, upholds his reputation as one of the leading interpreters of American music.
This CD contains the premier recording of "The Heiress Suite," which is a delight to listen to, and of course the fairly well-known "Red Pony" music. Is their a more quintessential piece of "Western" music than the "Walk to the Bunkhouse?" How does a jewish boy from Brooklyn nail it on the head so perfectly, anyway?
Other selections include "Music for Movies," a collection of bits & pieces from an assortment of Copland-scored movies that Copland arranged in 1943, and "Music for Radio," an earlier composition that isn't really "movie music," but fits well with the rest of the compositions on this CD.
Instead of wasting your time on movie soundtracks that are nothing more than just derivitave hack jobs, listen to music by a composer who had truly mastered his craft.
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