Control - Limited Edition with Free 'Touching from a Distance' book (Exclusive to Amazon.co.uk) [DVD]

I've now seen this story played out 3 times, twice at the cinema in the last 2 days and once as a 15 year old Northern lad. In the true spirit of the "Kitchen Sink" genre, it begins like a modern day "A kind of loving" and has a touch of " Room at the top" (the wedding car scene). Sam Riley is outstanding, portraying Curtis in a way that does not show him as the icon he became posthumously but as a somewhat immature 20+ year old man. This of course is countered by a soundtrack that reminds us of his musical genius played by the actors in a very authentic "Garagey way". A portrait of a man torn between his old and new life complicated by the onset of an illness he was struggling to come to terms with.

If that wasn't enough the photography is glorious, every other shot could be hung on the wall, it never looked so good when I was a lad! I understand that Corbijn was trying to shoot the film like a sequence of music videos and with his massive experience as a still photographer it all works beautifully. He sank a large amount of his own money into this project, and you can tell that making it was important to him as a fan and aquaintance of the band You can see his passion and committment to the film throughout. The sequence in the kitchen towards the end of the film was electric, an incredibly haunting dramatic shot. This Film demands the biggest screen that you can find.

I read a review that said you don't watch this film you live it, the first time I saw Control I was angry at the futility of it all, the second I wept tears for lost youth, his and mine. My advice ? Get yourself a really big telly and a really big box of tissues and enjoy what must be considered the best music film of all time. There's no getting away from the end, like Ian's all too short life it comes too soon in this film and there ain't gonna be a sequel, but buy the DVD and enjoy watching it over and over again. A Classic........

Having read and in many cases re-read the majority of books written about Ian Curtis and Joy Division, while living with the music for approaching 30 years the anticipation surrounding the release of "Control" almost became a living and breathing obsession.

I was lucky enough to see Joy Division in Glasgow and remember being transfixed by the presence and intensity of Ian Curtis; it was just the once and fleeting but even now, after all these years, that feeling of witnessing something special and unique still lingers.

As a result I approached Control with a preconception of what the story should tell us and what / who the characters were and how they should be portrayed.

Dealing with the negatives first, for the sake of brevity a lot of the key musical moments were either ignored or given passing reference, i.e. the recording and issue of Unknown Pleasures and the significance of the Closer lyrics as an insight into Ian's state of mind leading up to the 18th May 1980.

That however is the only negative and given the emphasis on the story on the triangle of Ian, Deborah and Annick it was the correct decision. My complaint, such as it is, is probably because I'm a bit of an anorak where Joy Division is concerned and would have liked the film to be longer, totally selfish and impractical.

Sam Riley and Samantha Morton are simply awesome; I was gripped from the outset and immediately put aside my preconceptions and ended up being swept along by the story, the cast (who were all outstanding) and the cinematography, all credit to Anton Corbijn.

The closing scenes were simply overwhelming and I don't have the words to capture the impact it had on me.

This is a film for all; a film for people who can appreciate a story lovingly and painstakingly constructed, or should that be re-constructed; a film for people who wish to be challenged and reflect on their own lives; above all it is a film for music fans and fans of Joy Division in particular.

ive never been a fan of joy division, but now i see what all the hype is about! the movie is a piece of art! the black and white style of the film gave this the gritty northern feel it needed. you can really understand sam riley's character and sympathise with his sense of isolation and the way he sees the world. At the start of the film it shows you his fascination with artists like bowie and roxy music, and the book 'crash' by jg ballard. its clear this young man spent lots of time alone in his youth and lived his world around fantasy. you see how when the reality of a ababy and a wife and the general mundaneness of life hits him its a massive shock. Samantha Morton is outstanding at playing the earthy working class wife. even though he's (ian curtis) is basically committing adultery, you can understand why. In this film you like all the characters and you don't seem to blame anyone. A really thought provoking movie that gets you thinking 'what's it all about' and how human beings are very vulnerable. you can appreciate the downward spiral he encountered and the way he was ill equipped for dealing with lifes realities. basically he was a very sensetive man and a bit of a hopeless romantic. a sad loss, but he made his mark.