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Product Description
Amazon.co.uk Review
You're the only band in the world to have moulded the fruity shimmering of sun-baked African pop with the leather-jacketed cool of 21st century New York rock 'n' roll, delivered it with the diligence of first-class honours students with tidy haircuts, and become a universally-lauded if unlikely international sensation as a result. You're not about to change your spots now, are you. It should come as no surprise therefore that with Contra, Vampire Weekend have delivered another full length album packed full with the same near-flawless, feather-weight indie with occasional knock-out tendencies as their eponymous first. What may be surprising though is how different a route they travelled to get to that same point this time around. Guitars are banished, or at least faded back in the mix to play textural bit parts and little more. Minimal electronic undercurrents earn a leading role, plugging a live cable into their principal artery and receiving little in the way of resistance from the main body. So the near-yodelling square dance of "White Sky", tip-toe harpsichord dub calypso of "Taxi Cab", Wacky Races jerky surf of "Cousins" and the Strokes-esque 4/4 infectiousness of "Giving Up The Gun" are all given a modern and thoroughly refreshing jab in the rear. And yet they all still sound, to some extent, like they could have been recorded for Paul Simon's seminal Gracelands. A compositional triumph that may side-step the immediacy of their debut, but turns out all the richer for it. --James Berry
Review
With their penchant for obscure grammatical references and African pop, Vampire Weekend always offered a little more than your standard indie-rock fare. Their hugely popular 2008 self-titled debut was chock-full of catchy guitar ditties, but while they clearly enjoyed romping through the frothy stuff this super-savvy NYC four were ultimately aiming for something, well, grander. And with cleverly constructed follow-up Contra, they are well on the way to achieving it.
Now, this beguiling ten-track work is short at just over 30 minutes long, but immediate it is not. Tasters Horchata and Cousins are probably the most hum-able of the lot. Where the album really comes into its own, however, is in the delicate arrangements and luscious production. It’s not so much the melodies that stick in your head, but certain percussive interludes, Ezra Koenig’s vocal gymnastics (tightly woven into the instrumentation) and the skilfully placed sumptuous string trill refrains.
It’s hard to digest at first, but with repeated listens Contra becomes increasingly enjoyable and, in places, quite magical. Musical tricks pop up throughout: the playful climax of White Sky, the romantic Taxi Cab with its Chopin-esque piano, and Giving Up the Gun’s astonishing mix of buzzing guitars, glockenspiel taps, electronics and choral harmonies.
Perhaps the highlights of Contra, however, are closers Diplomat’s Son and I Think Ur a Contra. Both are quiet and slow-paced, but driven by the kind of enviable creativity that now elevates Vampire Weekend well above their peers. There is everything from M.I.A. to classical, folk and reggae influences in there, but the band make the resulting sound completely their own.
Prior to release, frontman Koenig told the music press that Contra is about “retro gaming and Nicaraguan politics,” and it may well be – his poetic lyrics can be hard to decipher. What we do know, however, is that this latest offering ushers in an entirely new age for Vampire Weekend: one of wisdom, grace, subtlety and for the first time a really strong sense of identity. A thoroughly grown-up record, then. --Camilla Pia
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Most Helpful Customer Reviews
26 of 27 people found the following review helpful:
4.0 out of 5 stars
Vampire Weekend - No evidence of "difficult second album" syndrome,
By
This review is from: Contra (Audio CD)
Some reviews of "Contra" have come with the qualification that Vampire Weekend's second album is not the fun packed neo African rhythm monster of their infectious debut. The new album is indeed a much denser and fuller work its less "Upper West Side Soweto" and "preppy college" rock and takes its cue from a broader musical palette. Nonetheless the departure is not overtly radical in a Noah and the Whale "First Days of Spring" sense and on balance "Contra" remains tremendously upbeat.
The thing about Vampire Weekends debut was that it came out of leftfield like the proverbial bolt from the blue; it was intelligent and inventive stuff and seemed to be an active partner to that other uber smart record of that time MGMTs "Oracular Spectacular". Erza Koenig's lyrics were witty and songs like "A Punk" could soundtrack romantic comedies. While the essential features of the Vampire Weekend sound are here this album is noticeably different to signal progression. But is it better or worse for this? Overall the sheer hedonism of their debut is missing which may not be a negative. You can have too much of a good thing and the band must develop. Not that the first track "Horchata" suggests a radical new departure. Indeed this could have happily sat on the debut while "White Sky" sounds like it could be included on a remix album entitled "Graceland with Synths". At a pinch so could have "Cousins" but which nevertheless shows how the band is maturing. It's the most frenzied guitar driven song on an album which relies more heavily on percussion and synths. Clocking up 2.25 minutes it's a great choice for a single. Firmly in the "different" category are three songs. Firstly the albums clear highlight is "Taxi Cab". This is a slow beautiful bubbling pop song with some classical overtones and a lovely vocal by Koenig. If this is the new direction for Vampire Weekend I would vote for it! Similarly the sister song to "Taxi cab" is the title track "I think you are contra" a song of such dreamy pop that Beach House could have recorded it. It has a lovely melancholy quality and is about as far from "Walcott" or "Mansell Roof" as its possible to get. Finally many reviews have already named checked the Clash's Sandinista when it comes to "Diplomat Son" which is a 6 minute plus bouncy ska epic that the band just about pull off. The same cannot be said for other songs such as "California English" which is a bit Vampire Weekend by formula and the very lightweight "Holiday" which is just a bit silly. "Contra" has a few low points and is therefore not quite five stars. That said it is by any standards a very successful sophomore effort on which many other new bands have struggled and failed. Vampire Weekend by this criteria may have a longevity and durability to become one of the major bands of the next decade. Enjoy.
9 of 10 people found the following review helpful:
4.0 out of 5 stars
No sophomore slump here,
By William Rycroft "blogs @ Just William's Luck" (Hertfordshire, UK) - See all my reviews (TOP 1000 REVIEWER) (REAL NAME)
This review is from: Contra (Audio CD)
It was at a similarly chilly time of year back in 2008 that Vampire Weekend released their eponymous debut album. Unseasonably warm, afro-infused pop had my toes tapping for the rest of the year and it remains an album to put a smile on the face. The naysayers accused the Ivy League graduates of being too clever with their lyrics about obscure punctuation and architectural features and even of cultural tourism with the African musical influences (let's be honest - if you removed the African musical influences from pop music you'd be left with...well, Chas 'n' Dave. And they've just split up). Personally, I grew up listening to Paul Simon's Graceland so I have no problem bouncing about the room to that kind of thing and I have been looking forward to the release of their sophomore effort.
Opening track Horchata will be grist to the mill of the doubters with its subject (a Mexican rice drink) and rhyming - balaclava and aranciata to name but two. For the converted, along with tracks like White Sky, Holiday and the guitar driven Cousins, it is a track that could have come from their previous album, providing more of the same if that's what you're after. Where they depart there are some huge hits and perhaps the odd miss. Some of the tracks that had me worried on my first listen have already become amongst my favourites. One still remains at the risk of being skipped each time though. One day some kind of judicial process will bring Auto-tune to trial for crimes against music but until that time we will have to endure more experiments with it like California English. It is followed however by the beautiful Taxi Cab in which frontman Koenig employs those beautiful, effortless, Paul Simon tones, backed by strings and later harpsichord. How's that for Ivy League! The electronic experimentation is far more successful on Run, a tale of escape that bursts with energy and light. It is an example of a track where the Afro influences are absorbed rather dominant, a good indication of where Vampire Weekend will continue to triumph. Giving Up The Gun is a good example of a track that has really grown on me, sounding first like something from an 80's brat-pack-flick-soundtrack but revealing something lovely with each new listen. The only drawback at the moment is that if M79 had a whiff of Ski-Sunday about it, then the repeated refrain of 'Go on, go on, go on' on this track might just remind you of Mrs Doyle from Father Ted. Sorry, I shouldn't have said that because it certainly will now (if you know what I'm talking about that is). Diplomat's Son is the longest track on a short album, almost two in one, its reggae like rhythm breaking down in places so that piano and strings can plonk and twirl away. There is something haunting and disorienting about closer I Think Ur A Contra which I'm loving. It's often the quieter moments that herald something exciting on this album, although I can't stop jumping around to Cousins either. In spite of those accusations from those against you can't help but admire the ways in which Vampire Weekend are clever and make the most of those influences, combining them with genuine creativity to make something entirely their own. It's early days but this already the first must-have album of the year. What better way to beat the cold-snap than put this on, mix up some horchata, and enjoy.
2 of 2 people found the following review helpful:
5.0 out of 5 stars
INCREDIBLE,
By
This review is from: Contra (Audio CD)
This is the perfect follow up album, it links well with the first but bursts into life spanning various genres making this one magical and musically inspiring album. Listen to it, now imagine singing and dancing to that at the summer festivals in the sunshine and mud, PERFECT.
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