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This final book focuses on the "next generation"; the warriors led by Alldera the Conqueror have won back their homeland, and now her followers must build a new society, where men and woman can live at peace together for the first time in centuries. The renegade male who returns from the wilderness to attack the female-ruled Holdfast proves to be an anachronism; so also, however, does Alldera, already in the process of growing into a legend. The major viewpoint character, Alldera's daughter Sorrel (NOT "adopted daughter"), flees the Grasslands for the Holdfast with a boy child she has taken under her protection. The narrative follows the structure of Dickens' BLEAK HOUSE and Bradley's HERITAGE OF HASTUR, alternating chapters told in the first person by Sorrel with third-person chapters focusing on various other characters, thus combining the advantages of both intimacy and breadth.
Given that men must be kept alive for breeding, must they remain forever prisoners or chattel? Can they ever be trusted? Can they learn to live with females as equals? Can both men and women forget old bitterness and hate? What will become of the new generation of male children? Ambiguous, multifaceted, lifelike characters work together toward answers. Even though there are no "real endings," Sorrel's epilogue ties up a number of loose ends to provide closure for the reader.
This final book focuses on the "next generation"; the warriors led by Alldera the Conqueror have won back their homeland, and now her followers must build a new society, where men and woman can live at peace together for the first time in centuries. The renegade male who returns from the wilderness to attack the female-ruled Holdfast proves to be an anachronism; so also, however, does Alldera, already in the process of growing into a legend. The major viewpoint character, Alldera's daughter Sorrel (NOT "adopted daughter"), flees the Grasslands for the Holdfast with a boy child she has taken under her protection. The narrative follows the structure of Dickens' BLEAK HOUSE and Bradley's HERITAGE OF HASTUR, alternating chapters told in the first person by Sorrel with third-person chapters focusing on various other characters, thus combining the advantages of both intimacy and breadth.
Given that men must be kept alive for breeding, must they remain forever prisoners or chattel? Can they ever be trusted? Can they learn to live with females as equals? Can both men and women forget old bitterness and hate? What will become of the new generation of male children? Ambiguous, multifaceted, lifelike characters work together toward answers. Even though there are no "real endings," Sorrel's epilogue ties up a number of loose ends to provide closure for the reader.
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