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Songs like the pop-leaning "Jump" and first single "Hung Up"--an adrenaline drip on high that, like many of these tracks, will inspire mild shame among those who've thrilled to the much thinner disco-dusted outpourings of younger divas recently--represent both a return to form and an unmistakable march into the future. "Get Together" is a sonic freak-out in the best sense; "Push" traffics in gut-level futuristic trance; and "Forbidden Love" loops in '80s blips and bleeps for a follow-me-into-the-past effect that's both neo and retro.
For all the image-affirming innovations here, though, these confessions find Madonna framed in her share of reflective moments too. "Was it all worth it/How did I earn it?" she asks on "How High," a song featuring vocoder. "Nobody's perfect/I guess I deserve it," comes the answer.
A later lyrical inquiry is left for the listener to judge: "Does this get any better?" Madonna wants to know. But that opens the door to a dizzying proposition--few of us would have guessed, after all, that it got this good. --Tammy La Gorce
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But Confessions on a Dancefloor has left me a little gobsmacked. Madonna has returned to what she always did best (even if I hadn't noticed until now!), disco. And not just your bog standard "down the local club on a friday night" kinda stuff, but original & catchy songs that keep on coming. Forbidden Love is not to dissimilar to some of Air's songs, hints of the Petshop Boys can be heard in "Jump", and is that a Donna Summer sample in "Future Lovers"?
Highly Reccomended.
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