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Product Description
Product Description
Recorded in London, Confessions On A Dance Floor was primarily written and produced by Madonna and Stuart Price - the British musical director behind 2002’s "Drowned World" and last summer’s "Reinvention" tour.
While Madonna’s music is often both ethereal and political, Confessions On A Dance Floor is sheer, absolute discotheque. "I want people to jump out of their seats," she says. "My record is about having a good time straight through and non-stop."
"This is music that just comes very naturally to her," says Grammy Award-winning Price. "The songs flowed very quickly. Madonna was very interested in capturing the moment because, when all is said and done, it’s that instinctive joy of rhythm and movement that comes across best on the dance floor." Madonna and Stuart Price co-produced the album together with contributions from Henrik Jonback and the Grammy Award-winning team Bloodshy & Avant. Mirwais Ahmadzai, who produced Madonna’s last two albums American Life and Music, has co-written two new songs and co-produced one track. Other collaborators include Anders Bagge and Peer Astrom of the Murlyn Music Collective and Jo Henry whose previous credits include "Don’t Tell Me".
Review
The album's closest relative in its overall sound is Erotica, during its Shep Pettibone produced club driven moments. It's also destined to be loved way more than 2003's chilly American Life, an all-time sales low for Madonna. Highlights here include the lethally catchy "Sorry", "Jump", "How High", "Push", and "Like it Or Not". The word 'dork' in I "Love New York" is awkward, and "Isaac" is Shanti, 2005-style. However, this is the most commercial album Madonna has made in 15 years and it's magic. --Alan Braidwood
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Customer Reviews
But Confessions on a Dancefloor has left me a little gobsmacked. Madonna has returned to what she always did best (even if I hadn't noticed until now!), disco. And not just your bog standard "down the local club on a friday night" kinda stuff, but original & catchy songs that keep on coming. Forbidden Love is not to dissimilar to some of Air's songs, hints of the Petshop Boys can be heard in "Jump", and is that a Donna Summer sample in "Future Lovers"?
Highly Reccomended.
Madonna and Stuart Price made something truly magical come to life here. Listening to this album for the first time challenged my notion to what an album is supposed to be. Confessions on a Dance Floor is as close as I have dared hope for an album to become something truly spectacular as a whole. Just try to separate the song order, or to insert a silence - you can't do it. The whole album would fall apart. It's all produced as a whole, and this gives the album added character. The sleeve is the perfect hint at the beauty and passion of the music it adorns. The art direction was great.
The music is fantastic. It's electrical and riveting, full of energy and zest, and I don't just mean in the catchy department. This is thoughtful and moving music in its own right; it's music you actually would like to hear pop up on a dance playlist, something you look forward to hearing. The album's hits need no introduction. Check out Stuart Price's version of Cornershop's "Sleep on the Left Side" to see what he's capable of doing with already existing material. "Hung Up" will make even more sense then, and the extended version on the album is far better than the truncated radio edit. "Get Together" is the first real taste of the album's sound.
I wasn't even aware that "Sorry" was a Madonna track, just that I loved the song on the radio. I was intrigued, and lo, it led me to the album and a one-way ticket to Madonna fandom. "Sorry" is dynamite (I just wish the video hadn't been so corny - generally, great as this album is, it was cursed with bad videos). "Future Lovers" is, wow, fabulous; co-produced by Madonna's trusty associate Mirwais Ahmadzai, the stark and overpowering sound draw out the meat of this goosebump-inducing track.
This album actually is nothing but winners. There is not a dud track on the entire list. The exquisite "Forbidden Love" strolls so effortlessly into "Jump" that you'll be surprised to find that a new track has started, without you even realising it. "Isaac" is another sensual number, beautiful music.
Need I go on? Confessions on a Dance Floor is an extraordinary piece of music. While I love many works by many artists, I can still say that this is one of my favourite albums of all time. The reason? This album works so strongly, it sounds like perfection and reminds you that dance music can be fabulous and engaging. Confessions has my utmost recommendations. I confess that I think it's stupendous.
Now you know why I think "Fire" is the perfect description?
She's revisted her roots and sliced some Kabala in here too. Great album, deserves to number one for at least 3 months, or until everyone has bought it.
BTW, I am not a hardcore Madonna fan.
When it arrived in the post and I played it I realised how much I missed it!!!!
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