- Paperback: 270 pages
- Publisher: Avon Books (Mm); Reissue edition (Feb 1991)
- Language English
- ISBN-10: 0380008149
- ISBN-13: 978-0380008148
- Product Dimensions: 17.5 x 10.2 x 2.3 cm
- Average Customer Review: 3.5 out of 5 stars See all reviews (2 customer reviews)
- Amazon Bestsellers Rank: 682,694 in Books (See Top 100 in Books)
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Product Description
Product Description
Confess, Fletch
The flight from Rome had been pleasant enough, even if the business he was on wasn’t exactly. His Italian fianc?e’s father had been kidnapped and presumably murdered, and Fletch is on the trail of a stolen art collection that is her only patrimony. But when he arrives in his apartment to find a dead body, things start to get complicated.
Confess, Fletch
Inspector Flynn found him a little glib for someone who seemed to be the only likely suspect in a pretty clear case of homicide. He wasn’t exactly uncooperative, but it wasn’t like he was entirely forthcoming either. And Flynn wasn’t entirely convinced that the nineteenth-century Western artist Edgar Arthur Tharp really occupied most of Fletch’s thoughts.
Confess, Fletch
With the police on his tail and a few other things to do beside prove his own innocence, Fletch makes himself at home in Boston, renting a van, painting it black, and breaking into a private art gallery. That is when he’s not “entertaining” his future mother-in-law
and visiting with the good Inspector Flynn and his family. --This text refers to an out of print or unavailable edition of this title.
The flight from Rome had been pleasant enough, even if the business he was on wasn’t exactly. His Italian fianc?e’s father had been kidnapped and presumably murdered, and Fletch is on the trail of a stolen art collection that is her only patrimony. But when he arrives in his apartment to find a dead body, things start to get complicated.
Confess, Fletch
Inspector Flynn found him a little glib for someone who seemed to be the only likely suspect in a pretty clear case of homicide. He wasn’t exactly uncooperative, but it wasn’t like he was entirely forthcoming either. And Flynn wasn’t entirely convinced that the nineteenth-century Western artist Edgar Arthur Tharp really occupied most of Fletch’s thoughts.
Confess, Fletch
With the police on his tail and a few other things to do beside prove his own innocence, Fletch makes himself at home in Boston, renting a van, painting it black, and breaking into a private art gallery. That is when he’s not “entertaining” his future mother-in-law
and visiting with the good Inspector Flynn and his family. --This text refers to an out of print or unavailable edition of this title.
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Customer Reviews
Most Helpful Customer Reviews
1 of 1 people found the following review helpful
Format:Paperback
Fletch turns up in Boston claiming to be researching for his forthcoming biography of Edgar Arthur Tharp Jnr. the famous artist. He's left his fiancee in Italy while she deals with her dad's kidnapping and apparent death and is a little taken aback when he finds a young dead girl in the apartment he's arranged to stay in. All of the evidence points to Fletch as the culprit and an unusual police detective called Flynn eyes him with suspicion but just can't bring himself to make the arrest.
I would have enjoyed Confess, Fletch more had the stakes been higher, but the plot is all about paintings which is too low-key and hardly creates mental images that are likely to stay with you. The procedure of solving the mystery isn't too rewarding either as it seems to be all over the place until the final twenty pages. I ought to be familiar with Fletch's methods by now, but the entire book seems to be Fletch driving around, getting in and out of cars, and having cryptic conversations with mostly bland characters. The only saving grace is Flynn who turns out to much deeper than I first expected.
I'd call this the second weakest of the Fletch series (Carioca Fletch has been the poorest so far), but is still worthy of your attention even if your a casual fan. I hope that Fletch's Fortune is better (I'm reading them in chronological order, not publish order).
I would have enjoyed Confess, Fletch more had the stakes been higher, but the plot is all about paintings which is too low-key and hardly creates mental images that are likely to stay with you. The procedure of solving the mystery isn't too rewarding either as it seems to be all over the place until the final twenty pages. I ought to be familiar with Fletch's methods by now, but the entire book seems to be Fletch driving around, getting in and out of cars, and having cryptic conversations with mostly bland characters. The only saving grace is Flynn who turns out to much deeper than I first expected.
I'd call this the second weakest of the Fletch series (Carioca Fletch has been the poorest so far), but is still worthy of your attention even if your a casual fan. I hope that Fletch's Fortune is better (I'm reading them in chronological order, not publish order).
Format:Paperback
Fletch dives into the art world in this unusual second addition to the Fletch series. Returning to the US from Italy while researching a book he finds a dead body in the apartment he is borrowing. All the evidence points to Fletch and he is not helped by his apparent indifference to his own predicament and the manner in which he reported the crime. Fortunately the investigating detective is not as convinced as his deputy that the only thing missing is a confession, and gives Fletch enough space to solve the mystery and keep himself out of jail. All along you wonder how Fletch does it.
This is a different Fletch from the first book. Established with a private fortune, a home in Italy, a fiancee (with a potential mother-in-law in tow) and an expertise in art, he would be almost unrecognisable. But he still has his impudence, a lack of obvious concern about his own best interests, and his moral ambiguity which is both charming and repellent. An intriguing and intelligent read.
This is a different Fletch from the first book. Established with a private fortune, a home in Italy, a fiancee (with a potential mother-in-law in tow) and an expertise in art, he would be almost unrecognisable. But he still has his impudence, a lack of obvious concern about his own best interests, and his moral ambiguity which is both charming and repellent. An intriguing and intelligent read.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
8 reviews
2 of 2 people found the following review helpful
Another Fletch winner
4 Oct 2001
Format:Paperback
I don't like it when reviewers reveal plot points, so I won't. Suffice to say, if you like other Fletch books, you will like Confess, Fletch. If you haven't read any Fletch boosk, you might want to start with Fletch, which was adapted into a funny movie starring Chevy Chase.
2 of 2 people found the following review helpful
Fletch and Flynn come together
8 Aug 2000
Format:Paperback
McDonald brings the heros of his two great detective series, Irwin M. Fletcher and Francis Xavier Flynn together for their only joint appearance on the printed page. The result is a quite satisfying story in which someone attempts to fram Fletch for murder. Fans of either series will love this fine entry into both of them.
1 of 1 people found the following review helpful
We know you did it
23 Mar 2010
Format:Paperback
Fletch turns up in Boston claiming to be researching for his forthcoming biography of Edgar Arthur Tharp Jnr. the famous artist. He's left his fiancee in Italy while she deals with her dad's kidnapping and apparent death and is a little taken aback when he finds a young dead girl in the apartment he's arranged to stay in. All of the evidence points to Fletch as the culprit and an unusual police detective called Flynn eyes him with suspicion but just can't bring himself to make the arrest.
I would have enjoyed Confess, Fletch more had the stakes been higher, but the plot is all about paintings which is too low-key and hardly creates mental images that are likely to stay with you. The procedure of solving the mystery isn't too rewarding either as it seems to be all over the place until the final twenty pages. I ought to be familiar with Fletch's methods by now, but the entire book seems to be Fletch driving around, getting in and out of cars, and having cryptic conversations with mostly bland characters. The only saving grace is Flynn who turns out to much deeper than I first expected.
I'd call this the second weakest of the Fletch series (Carioca Fletch has been the poorest so far), but is still worthy of your attention even if your a casual fan. I hope that Fletch's Fortune is better (I'm reading them in chronological order, not publish order).
I would have enjoyed Confess, Fletch more had the stakes been higher, but the plot is all about paintings which is too low-key and hardly creates mental images that are likely to stay with you. The procedure of solving the mystery isn't too rewarding either as it seems to be all over the place until the final twenty pages. I ought to be familiar with Fletch's methods by now, but the entire book seems to be Fletch driving around, getting in and out of cars, and having cryptic conversations with mostly bland characters. The only saving grace is Flynn who turns out to much deeper than I first expected.
I'd call this the second weakest of the Fletch series (Carioca Fletch has been the poorest so far), but is still worthy of your attention even if your a casual fan. I hope that Fletch's Fortune is better (I'm reading them in chronological order, not publish order).
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