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| Disc 1: | ||||||
| Song Title | Artist | Time | Price | |||
|---|---|---|---|---|---|---|
| Play | 1. Intro (Music And Spoken Word) | Deep Purple | 3:28 | £0.89 | ||
| Play | 2. Hush (Live) | Deep Purple | 4:40 | £0.89 | ||
| Play | 3. Wring That Neck (Live) | Deep Purple | 13:23 | £2.99 | ||
| Play | 4. Child In Time (Live) | Deep Purple | 12:02 | £2.99 | ||
| Disc 2: | ||||||
| Song Title | Artist | Time | Price | |||
| Play | 1. Concerto For Group And Orchestra - First Movement: Moderato - Allegro | Deep Purple With The Royal Philharmonic Orchestra | 19:21 | £2.99 | ||
| Play | 2. Concerto For Group And Orchestra - Second Movement: Andante | Deep Purple With The Royal Philharmonic Orchestra | 19:11 | £2.99 | ||
| Play | 3. Concerto For Group And Orchestra - Third Movement: Vivace - Presto | Deep Purple With The Royal Philharmonic Orchestra | 13:08 | £2.99 | ||
| Play | 4. Encore - Concerto For Group And Orchestra - Third Movement:Vivace - Presto (Part) | Deep Purple With The Royal Philharmonic Orchestra | 5:51 | £0.89 | ||
Product details
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(Important note) Make sure to get the current release (import only, as of early 2003) which has been completely re-mixed to sound 100% better than the old CD and/or LP, it also includes a nice big booklet full of pictures and if that's not enough for you, a great bonus disc of the band performing a three song set before the Concerto.
Track 1: Hush - Perhaps a better version than the one we always hear on the radio, with Ian Gillan's incredible vocal delivery. Sounding almost like early Elvis at times.
Track 2: Wring that Neck - A smoking instrumental with room to play for guitarist Ritchie Blackmore and keyboardist Jon Lord. I must also mention the solid rhythm section of Roger Glover on bass and Ian Paice on drums, they just drive this piece along. Nice.
Track 3: Child In Time - The band were just about to record this "soon to be classic" for the upcoming album "In Rock". It might be one of the finest live version they ever did.
It's so new to them that they play it incredibly tight, and Gillan keeps his famous screams slightly off the mic, so not to scare the classical side of the crowd, but it makes for a great reverb sound. Those three tracks give you about half an hour of warm up. The audience sounds like they enjoyed the opening set. Fabulous!
The Concerto for Group and Orchestra was and is an excellent idea from JON LORD, he is a true hero. Thanks Jon.
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