I love Sun Ra. Admittedly, this has little to do with anything if you simply want to find a decent album to listen to and forget all the pretentious reviews! However, I do think that if you have stumbled upon this in your daily search for new listening material ( like I did), you should go somewhere else first, because this is like walking on fire: hint, very dangerous indeed!
There is simply too much going on here. For any who have tried Anthony Braxton's Ghost Trance Music and failed ( once again I am sympathetic), in these 8 tracks the sheer volume of material is astounding. There is an 18 minute track, there are blazingly atonal saxophone solos, there is Sun Ra's customary sermonizing about the space age, and there is no acoustic piano or jazz standards to let you off ( like in the majority of Ra's other work) . The whole way through it's just Moog Synthesizer and Rocksichord constantly.
The review is probably seeming cryptic to those few who barely know who Sun Ra is, or what this concert was! In 1974 some veterans may remember the ill-fated comet of the new-agers, Kohoutek! Many, ( the prophet Sun Ra included), took it as a herald of things to come. As we now know, even Ra's telepathic skills were not acute enough to sense the disappointment of an unspectacular spectacle, but at this stage, on the day before the failure, Sun Ra came into New York with a 50-piece band he called the Myth-Science Arkestra. His singer, June Tyson, and four other dancers, saluted the comet in bizarre extra-terrestrial regalia, dancing along to the semi-swing and as-i-said unfortunately mediochre psychedelia the jazz man conjured up.
It's not that the song choice is not good. It's the opposite: so much more (or indeed less) could be made out of it. Every piece, including Space is the Place and Enlightenment, we are bombarded with explosions of synthetic sound. What's more, at times the Arkestra sound tired, as if they cannot cope with the energetic program foisted upon them by the maestro.
Briefly I will return to the Anthony Braxton analogy. The vast majority of Earth-inhabitants will not be able to take it in, or at least, they will have to listen so hard that the joy of relaxation is taken away! In all honesty, I wouldn't buy this again if I had the chance. Is it far-out? BOY, IT IS. There are other albums, though, that fulfil this role better, while at the same time not appearing so amateur and monotonous: try Live at Praxis 1984 or Live from Soundscape. While making your decision please regard the title of this review.
Peace and thank you.