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Conceptual Art: A Critical Anthology
 
 
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Conceptual Art: A Critical Anthology [Paperback]

Alexander Alberro
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Product details

  • Paperback: 624 pages
  • Publisher: MIT Press; New Ed edition (11 Oct 2000)
  • Language English
  • ISBN-10: 0262511177
  • ISBN-13: 978-0262511179
  • Product Dimensions: 23.1 x 17.6 x 3.4 cm
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 493,078 in Books (See Top 100 in Books)

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Alexander Alberro
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Product Description

Review

"This is an extraordinary work of archeology inconceptual art, full of surprises. The book brings back to life anincredible array of discussions about rich cultural issues thatdeveloped in the West from the mid-1960s to the mid-1970s. A challenging'idea' book for our 'visual' times." Serge Guilbaut, Professor of Art History and Head,Department of Fine Arts, University of British Columbia

Product Description

Compared to other avant-garde movements that emerged in the 1960s, conceptual art has received relatively little serious attention by art historians and critics of the past twenty-five years--in part because of the difficult, intellectual nature of the art. This lack of attention is particularly striking given the tremendous influence of conceptual art on the art of the last fifteen years, on critical discussion surrounding postmodernism, and on the use of theory by artists, curators, critics, and historians.This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the movement. It also contains more recent memoirs by participants, as well as critical histories of the period by some of today's leading artists and art historians. Many of the essays and artists' statements have been translated into English specifically for this volume. A good portion of the exchange between artists, critics, and theorists took place in difficult-to-find limited-edition catalogs, small journals, and private correspondence. These influential documents are gathered here for the first time, along with a number of previously unpublished essays and interviews.Contributors : Alexander Alberro, Art & Language, Terry Atkinson, Michael Baldwin, Robert Barry, Gregory Battcock, Mel Bochner, Sigmund Bode, Georges Boudaille, Marcel Broodthaers, Benjamin Buchloh, Daniel Buren, Victor Burgin, Ian Burn, Jack Burnham, Luis Camnitzer, John Chandler, Sarah Charlesworth, Michel Claura, Jean Clay, Michael Corris, Eduardo Costa, Thomas Crow, Hanne Darboven, RaA l Escari, Piero Gilardi, Dan Graham, Maria Teresa Gramuglio, Hans Haacke, Charles Harrison, Roberto Jacoby, Mary Kelly, Joseph Kosuth, Max Kozloff, Christine Kozlov, Sol LeWitt, Lucy Lippard, Lee Lozano, Kynaston McShine, Cildo Meireles, Catherine Millet, Olivier Mosset, John Murphy, HA(c)lio Oiticica, Michel Parmentier, Adrian Piper, Yvonne Rainer, Mari Carmen Ramirez, Nicolas Rosa, Harold Rosenberg, Martha Rosler, Allan Sekula, Jeanne Siegel, Seth Siegelaub, Terry Smith, Robert Smithson, Athena Tacha Spear, Blake Stimson, Niele Toroni, Mierle Ukeles, Jeff Wall, Rolf Wedewer, Ian Wilson.

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4 of 8 people found the following review helpful
Format:Hardcover
This book is an informative collection of relevant articles and interviews from the hardcore period of conceptual art. I found it very useful for background reading, however - WHY is there no index? - very frustrating. It could also have been better organised into categories or sections. On the whole,not bad but there could have been more focus on the key figures in the movent. it seems that the collection is an updated version of the one by Lucy Lippard. It is a well presented book and will surely impress as a decoration to a coffe table - especially as at that price few people will have bought it and even fewer will have read it.
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