This is a unique project, insofar as it breaks new ground in the establishment of a new object of enquiry and research, and goes some way into the exploration of this territory. --Patrick ffrench, King's College, London
About the Author
Griselda Pollock is Professor of Social and Critical Histories of Art and Director of the Centre for Cultural Analysis, Theory and History at the University of Leeds, UK. She is Editor, with Anthony Bryant, of Digital and Other Virtualities: Renegotiating the Image; Visual Politics of Psychoanalysis: Art and the Image in Post-Traumatic Cultures(both I.B. Tauris) and is Series Editor of Tauris' New Encounters Series. Max Silverman is Professor of Modern French Studies at the University of Leeds. His recent publications include Palimpsestic Memory: the Holocaust and Colonialism in French and Francophone Fiction and Film(Berghahn, 2013). Griselda Pollock and Max Silverman are joint authors of Concentrationary Cinema: Aesthetics as Political Resistance in Alain Resnais's 'Night and Fog' which won the Kraszna-Krausz Award for Best Book on the Moving Image, 2011.