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On one hand, Isabella represents a synecdoche. If the narrator understands her deeply enough, he could "know everything there was to be known about Isabella," but also life, and perhaps all persons as well.
On the other hand, perhaps Isabella objectifies the inability of one person to scale walls of privacy and anonymity another erects to protect herself from intimacy.
Our sympathy straddles that wall, perhaps lying first with Isabella who veils herself, then with the narrator who longs to know her. We aren't shown why Isabella has become the trembling convolvulus. But no one's face should reflect "masklike indifference." The phrase is not congruous -- the need to mask is anything but indifferent. And can't we concede tragedy to anyone who, after 50-60 years, remains a person for whom another can claim, "The comparison showed how very little, after all these years, one knew about her; for it is impossible that any woman of flesh and blood of fifty-five or sixty should be really a wreath or a tendril"? This is a heartbreaking image.
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