Amazon.co.uk allows you to pay for your items in your local currency. Restrictions apply. Learn More. |
Frequently Bought Together
Product details
|
Listen to Samples and Buy MP3s
Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or
view the MP3 Album.
|
Disc 1:
Disc 2:
|
Tags Customers Associate with This Product(What's this?)Click on a tag to find related items, discussions, and people.
|
Customer Reviews
Most Helpful Customer Reviews
18 of 18 people found the following review helpful
Format:Audio CD
This double c.d session with pianist Sonny Clark sees both men in prime form which is jazz at it's very best.Joined by a stellar rhythm section - Sam Jones(bass) and either Art Blakey or Louis Hayes on drums they breeze through one standard after another with Green displaying that virtuoso,heavy picking,groove orientated style of playing that made him pretty unique in jazz circles.Clark also has many fine solos gradually building them in that logical,melodical style of his that became a trademark.
All tracks are at least 5 minutes long,with most in the 5-7 minute category that gives the soloists plenty of time to stretch out and create worthwhile solos and none morso than the 10 minute version of "it 'ain't necessarily so" on which Green delivers the most uplifting and stirring solo that i have ever heard from him.
If you are not familiar with Grant Green this is a great way to start and good value for money with this 2 c.d set.
Buy this c.d - sit back - and let the all time great of the jazz guitar take over.
All tracks are at least 5 minutes long,with most in the 5-7 minute category that gives the soloists plenty of time to stretch out and create worthwhile solos and none morso than the 10 minute version of "it 'ain't necessarily so" on which Green delivers the most uplifting and stirring solo that i have ever heard from him.
If you are not familiar with Grant Green this is a great way to start and good value for money with this 2 c.d set.
Buy this c.d - sit back - and let the all time great of the jazz guitar take over.
1 of 1 people found the following review helpful
Format:Audio CD
The reason I think that Grant Green was given less then his due by critics during his lifetime was that his style was so unashamedly melodic,uncluttered and direct that it seems on the surface to much less accomplished then that of many of his peers.
This terrific set gives further evidence,if any were needed as to the abilities and entertainment value of Grant Green, perhaps one of the most under rated players of his generation. Grant's playing is a sort of stripped down, melodic, soul-blues amalgam where melody and tone are preferred to displays of technique.In fact there isn't a track on this great value 2 disc set where the great man doesn't do something memorable or interesting.Grant is also an unselfish band player, which given the quality of the company he keeps on this set,is no bad idea.Solos are shared and a sense of 'groove' established,but there is reverence for melody,which is not always the case with some jazz combo's.This makes for an engaging listen which ensures that returning to this collection is a pleasure rather then an obligation.
From pop tunes such as 'Moon River',to more familiar straight-ahead fare such as 'Green Dolphin Street' and 'It Ain't Necessarily So' there is much to enjoy here.It also helps that Grant was no mean tune writer himself, as jaunty little numbers such as 'Gooden's Corner' more then adequately demonstrate. All in all then, this set is well worth your investment in terms of time and money.
ps: the remastering is great-it's hard to credit that these tracks go back to 1961.
This terrific set gives further evidence,if any were needed as to the abilities and entertainment value of Grant Green, perhaps one of the most under rated players of his generation. Grant's playing is a sort of stripped down, melodic, soul-blues amalgam where melody and tone are preferred to displays of technique.In fact there isn't a track on this great value 2 disc set where the great man doesn't do something memorable or interesting.Grant is also an unselfish band player, which given the quality of the company he keeps on this set,is no bad idea.Solos are shared and a sense of 'groove' established,but there is reverence for melody,which is not always the case with some jazz combo's.This makes for an engaging listen which ensures that returning to this collection is a pleasure rather then an obligation.
From pop tunes such as 'Moon River',to more familiar straight-ahead fare such as 'Green Dolphin Street' and 'It Ain't Necessarily So' there is much to enjoy here.It also helps that Grant was no mean tune writer himself, as jaunty little numbers such as 'Gooden's Corner' more then adequately demonstrate. All in all then, this set is well worth your investment in terms of time and money.
ps: the remastering is great-it's hard to credit that these tracks go back to 1961.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
21 reviews
32 of 34 people found the following review helpful
Delicate and Classic: A Standard for Jazz Playing
14 Mar 2004
Format:Audio CD
This is a wonderful album that shows the musical potential of the guitar as a single-note jazz instrument. Grant Green went on to play much "funkier" jazz, but this album has the clean elegant sound of classic jazz music. In that way it is reminiscent of one of the great jazz albums of the late '50s, the Sonny Clark Trio's self-titled album. The parallel is no suprise, since Grant Green is here playing with Sonny Clark. As well as offering a variety of delicate renderings of standard tunes (--I especially like "I Concentrate on You"--) this album demonstrates one important way that the guitar and piano can play together. (Both are chordal instruments, and can clash in a band, but here Green uses the guitar to play only single notes, more like a horn would normally do.) This is an excellent album that I listen to regularly without ever tiring of it.
22 of 23 people found the following review helpful
You like Grant Green? Get this CD at all costs!
23 Sep 2005
Format:Audio CD
I have always loved Grant Green's music. Not a big fan of the sell-out years where he tried to cross over into commercial success. Wes did it, Grant never quite managed to do anything but "sell out" in my opinion. And the music suffered. But that's not this CD...
This CD is straight-ahead jazz. Pure, solid, grooving, dramatic, powerful, inspirational, and just a true pleasure to listen to. Every member in the band plays like they've known each other since the womb. So very, very tight. Grant and Sonny are almost too nice to each other. They both try very hard to accomidate the other and make sure they have space to play. And when comping, Sonny and Grant compliment each other in a way that only true chemistry can create.
Grant's sound is very typical on this one. Signature single-note lines, not many chordal phrases. When i say, "typical" I mean typical of his greatest playing. I easily put this recording up there with Idle Moments.
My favourite track on the CD is,"It Ain't Necessarily So." The interplay between Grant and Sonny will just make you beam with happiness. Every time Grant tries to hand the lead off to Sonny, Sonny eggs him on verbally with, "go, just go!" And Grant anwers with some heartfelt passion and always finds a way to push himself. Grant shows off his incredible ability to flawlessly drag his notes on this CD too. His playing always seems so simple, but he's really a smart and knowledgeable player.
This is one of my desert island discs. You just can't go wrong popping this set into the player. Never lets you down. Simply put, if you're a fan of Grant's more straight-ahead, non-funkified music, then you will probably want to pick this CD set up.
This CD is straight-ahead jazz. Pure, solid, grooving, dramatic, powerful, inspirational, and just a true pleasure to listen to. Every member in the band plays like they've known each other since the womb. So very, very tight. Grant and Sonny are almost too nice to each other. They both try very hard to accomidate the other and make sure they have space to play. And when comping, Sonny and Grant compliment each other in a way that only true chemistry can create.
Grant's sound is very typical on this one. Signature single-note lines, not many chordal phrases. When i say, "typical" I mean typical of his greatest playing. I easily put this recording up there with Idle Moments.
My favourite track on the CD is,"It Ain't Necessarily So." The interplay between Grant and Sonny will just make you beam with happiness. Every time Grant tries to hand the lead off to Sonny, Sonny eggs him on verbally with, "go, just go!" And Grant anwers with some heartfelt passion and always finds a way to push himself. Grant shows off his incredible ability to flawlessly drag his notes on this CD too. His playing always seems so simple, but he's really a smart and knowledgeable player.
This is one of my desert island discs. You just can't go wrong popping this set into the player. Never lets you down. Simply put, if you're a fan of Grant's more straight-ahead, non-funkified music, then you will probably want to pick this CD set up.
20 of 22 people found the following review helpful
Another Great Cuscuna Classic Release
8 Jan 2003
Format:Audio CD
This is a double CD that I resisted for a long time, being slightly sceptical as to whether I might already have most of the tracks issued under Clark's name. Oh ye of little faith......should never doubt a Michael Cuscuna reissue!
The sessions covered include two using Louis Hayes on drums (December 23 1961 and January 31 1962) and one (January 13 1962) using what is probably a rare excursion by Art Blakey as a sideman during this period. Add the talents of bassist Sam Jones on all three sessions and you have unquestionable quality.
Strange, therefore, that most of the tracks have remained unissued outside Japan until now? Well, possibly not, given Green's prodigious recorded output around that time and the fact that for the most part the chosen tunes are either standards or well known jazzers. Of the 19 tracks on show here only three are Green originals - "Gooden's Corner", "Two For One" and "Hip Funk". It is something of a shame, however, that this music lay on the shelf for so many years and seems to only have been issued for the first time a response to Green's untimely death in 1979, and then mainly in Japan, with only the first five tracks on Disc 1 comprising an album called "Nigeria" issued elsewhere.
The music itself is unashamedly wonderful from the first track to the last. Green's swinging single line style was developed from his preference for listening to horn players rather than guitar players during his formative years, and is a style that relates perfectly to Clark's percussive drive. The treatment of such tunes as Gershwin's "It Ain't Necessarily So" and Porter's "What Is This Thing Called Love" contains more than enough to keep you interested after several plays without ever resorting to a more irreverent form of improvisation. Many gigging musicians might cringe at the inclusion of Mancini's "Moon River" in such a set (although it was a big hit at the time) but this particular 4/4 version is worthy of far more than background music in an elevator, again without ever venturing far from the original structure.
Little wonder then that this CD is worth 5 stars. Incidentally, for the sake of absolute historical accuracy, one further recorded example of a Green/Clark quartet session (with Butch Warren and Billy Higgins) is available as two additional tracks added to a recent Blue Note 'Connoisseur Series' CD under Green's name "First Session".
The sessions covered include two using Louis Hayes on drums (December 23 1961 and January 31 1962) and one (January 13 1962) using what is probably a rare excursion by Art Blakey as a sideman during this period. Add the talents of bassist Sam Jones on all three sessions and you have unquestionable quality.
Strange, therefore, that most of the tracks have remained unissued outside Japan until now? Well, possibly not, given Green's prodigious recorded output around that time and the fact that for the most part the chosen tunes are either standards or well known jazzers. Of the 19 tracks on show here only three are Green originals - "Gooden's Corner", "Two For One" and "Hip Funk". It is something of a shame, however, that this music lay on the shelf for so many years and seems to only have been issued for the first time a response to Green's untimely death in 1979, and then mainly in Japan, with only the first five tracks on Disc 1 comprising an album called "Nigeria" issued elsewhere.
The music itself is unashamedly wonderful from the first track to the last. Green's swinging single line style was developed from his preference for listening to horn players rather than guitar players during his formative years, and is a style that relates perfectly to Clark's percussive drive. The treatment of such tunes as Gershwin's "It Ain't Necessarily So" and Porter's "What Is This Thing Called Love" contains more than enough to keep you interested after several plays without ever resorting to a more irreverent form of improvisation. Many gigging musicians might cringe at the inclusion of Mancini's "Moon River" in such a set (although it was a big hit at the time) but this particular 4/4 version is worthy of far more than background music in an elevator, again without ever venturing far from the original structure.
Little wonder then that this CD is worth 5 stars. Incidentally, for the sake of absolute historical accuracy, one further recorded example of a Green/Clark quartet session (with Butch Warren and Billy Higgins) is available as two additional tracks added to a recent Blue Note 'Connoisseur Series' CD under Green's name "First Session".
Were these reviews helpful?
Let us know
Customer Discussions
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
What Other Items Do Customers Buy After Viewing This Item?
Listmania!
|
|
Look for similar items by subject
Feedback
- Would you like to update product info or give feedback on images?
|
