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Complete Poems, 1904-1962 [Hardcover]

E E Cummings
5.0 out of 5 stars  See all reviews (5 customer reviews)
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Book Description

14 Sep 1994
At the time of his death in 1962 e.e. cummings was, next to Robert Frost, the most widely read poet in America. For this edition of cummings's work, George Firmage has gone back to the poet's original manuscripts to ensure the accuracy of the transcriptions. In particular, the spatial arrangement of the typography now conforms as precisely as possible to cummings's very specific intentions. To the contents of the volumes published during cummings's lifetime - now arranged in the order he originally specified - have been added all of the hitherto uncollected poems as well as the unpublished poems first issued in 1983.

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Complete Poems, 1904-1962 + E.E. Cummings: A Biography + The Enormous Room
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Product details

  • Hardcover: 1136 pages
  • Publisher: W. W. Norton & Co.; Revised edition edition (14 Sep 1994)
  • Language: English
  • ISBN-10: 0871401525
  • ISBN-13: 978-0871401526
  • Product Dimensions: 24 x 5.5 x 17.8 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Bestsellers Rank: 38,810 in Books (See Top 100 in Books)

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5 of 5 people found the following review helpful
5.0 out of 5 stars Best edition 21 April 2010
Format:Hardcover
This is the best edition of cummings available. The other reviewers sum up cumming's gentle lyrical brilliance, but if you're looking to see what kind of edition this is, I would say it's the one to get, well edited and contains pretty much everything he wrote poetry-wise.
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22 of 24 people found the following review helpful
5.0 out of 5 stars Sublime 2 Aug 2003
By B. Tovey VINE™ VOICE
Format:Hardcover
Although cummings is probably best-known for his unusual approach to poetic composition, the edition of his collected poems allows the reader to explore the full range of his artistic ability, from precise sonnets to fragmented cubist poetry. cummings' lightness of touch is a notable feature of his writing and makes his poems deceptively easy reading at times, almost haiku-like in their encapsulation of momentary experience. He also expresses political and social ideas which make many of his poems an interesting expression of their historical context. Much of cummings' work is essentially American in tone and content, and engages with ideas of American identity and Americanisation. The current growing interest in consumerism finds an early voice in his poems. However, cummings is, in my opinion, at his greatest in those poems which are timeless and placeless in their appeal, in their embodiments of nature and emotion. cummings deserves to have his work on every poetry-lover's bookshelf, and on many more besides.
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16 of 18 people found the following review helpful
5.0 out of 5 stars Not just anybody... 29 Dec 2005
By Kurt Messick HALL OF FAME TOP 500 REVIEWER
Format:Hardcover
'anybody lived in a pretty how town
with up so floating many bells down'
The poetry of ee cummings is something that most Americans gain exposure to during secondary school (and very rarely in the education of those outside America) -- he is often seen as an acceptable example of one who broke the rules -- rules, the teacher will often hasten to add, which must be mastered before they can be acceptably broken.

Yet this is not what ee cummings would hope had come of his legacy. In reading his poetry in this edition, his prose, his theatrical writings, and his unpublished manuscripts (some of which have been published under the title Etc.), a new vision begins to emerge of a real maverick--not someone who wanted to break the rules, but someone who eschewed the idea of rules so completely that breaking them was beyond the question, for that would have to recognise the value of the rules.

And yet, some rules creep in:

'the Cambridge ladies who live in furnished souls
are unbeautiful and have comfortable minds
(also, with the church's protestant blessings
daughters, unscented shapeless spirited)'

This is a classic example of a cummings sonnet--adhering to rhyme and meter, yet very original.

Or, perhaps not that original. Unfortunately, ee cummings has become a conventional unconventionality. He was a success at being different--at one point only cummings and Frost, New Englanders both, with very different vines growing on the respective sides of their fence, were able to make a living solely from their writing while concentrating on poetry.

This text contains the entirety of the 12 published volumes of poetry cummings produced in his lifetime. In this we find his faith, his politics, his social criticism and his social prejudices, and his ideas of love and desire.

Some of his poetry is best meant to be read aloud, as all good poetry ultimately finds its best expression not on the lifeless page but in the spirited, feeling telling. There is an incredible sense (try reading it aloud, slowly).

Some of the cummings poetry, however, is simplicity and verges on the concrete. These sometimes resort to cleverness that might have been genius of observation at the time but unfortunately due to overexposure now just seem an elementary type of cleverness. Of course, simplicity is so often overlooked, that when it is seen, we often react not as we should.

Arrangement on the page is so critical to cummings perception of how things must be that the lastest editions of his poetry are put in typewriter typeset (the way he composed and envisioned his poetry). The medium is part of the message, he would have said.

Try to read cummings with a new eye, and look for that which would have been shocking to the more standard and rule-bound Cambridge soul.

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