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The Complete Fritz Lang Mabuse Box Set [DVD] [1922]
 
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The Complete Fritz Lang Mabuse Box Set [DVD] [1922]

DVD ~ Rudolf Klein-Rogge
5.0 out of 5 stars  See all reviews (1 customer review)
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Frequently Bought Together

The Complete Fritz Lang Mabuse Box Set [DVD] [1922] + Phantom/Die Finanzen Des Großherzogs [Masters of Cinema] [DVD] [1922] + La Tete Contre Les Murs [Masters of Cinema] [DVD] [1959]
Total RRP: £94.97
Price For All Three: £65.94

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Product details

  • Actors: Rudolf Klein-Rogge, Gustav Diessl, Aud Egede Nissen, Dawn Addams, Wolfgang Preiss
  • Directors: Fritz Lang
  • Format: Box set, Black & White, Colour, PAL
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Number of discs: 4
  • Classification: PG
  • Studio: Eureka Entertainment LTD
  • DVD Release Date: 19 Oct 2009
  • Run Time: 485 minutes
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • ASIN: B002MPTIYA
  • Amazon.co.uk Sales Rank: 3,658 in DVD (See Bestsellers in DVD)

    Popular in this category:

    #33 in  DVD > World Cinema

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Product Description

From the early stages of his career across five decades to his final film, Fritz Lang built a trilogy of paranoiac thrillers focused on an entity who began as a criminal mastermind, and progressed into something more amorphous: fear itself, embodied only by a name Dr. Mabuse. For the first time on home video, all three of Fritz Lang's Mabuse films have been collected for one package, in their complete and restored forms. 1: Dr. Mabuse, der Spieler. [Dr. Mabuse, the Gambler.] (1922) Lang's two-part, nearly 5-hour silent epic detailing the rise and fall of Dr. Mabuse in Weimar-era Berlin. 2: Das Testament des Dr. Mabuse [The Testament of Dr. Mabuse] (1933) a tour-de-force thriller rife with supernatural elements, all converging around an attempt by the now-institutionalised Mabuse (or someone acting under his name... and possibly his will) to organise an 'Empire of Crime'. 3: Die 1000 Augen des Dr. Mabuse [The 1000 Eyes of Dr. Mabuse] (1960) Fritz Lang's final film, in which hypnosis, clairvoyance, surveillance, and machine-guns come together for a whiplash climax that answers the question: Who's channelling Mabuse's methods in the Cold War era? The Masters of Cinema Series is proud to present Fritz Lang's complete Mabuse trilogy a cornerstone in the work of one of cinema's all-time greatest directors. ----SPECIAL FOUR-DISC BOX SET INCLUDING: * Original German-language intertitles for Dr. Mabuse, der Spieler., along with newly translated English-language subtitles for each film. * Newly recorded feature-length audio commentaries on all three movies by film-scholar and Fritz Lang expert David Kalat. * Three video-featurettes totalling an hour-and-a-half in length on: the score of Dr. Mabuse, der Spieler.; the creation of Norbert Jacques' 'Mabuse' character; and the motifs running throughout the works. * 2002 video interview with Wolfgang Preiss, the star of Die 1000 Augen des Dr. Mabuse. * An alternate ending to Die 1000 Augen des Dr. Mabuse taken from the French print of the film. * Optional English-language dub track for Die 1000 Augen des Dr. Mabuse. * Three lengthy booklets containing anew translation of Fritz Lang's 1924 lecture on 'Sensation Culture'; an essay by critic and scholar Michel Chion on the use of sound in Das Testament des Dr. Mabuse; new writing on Die 1000 Augen des Dr. Mabuse by critic David Cairns; extracts from period interviews with Fritz Lang; an abundance of production stills, illustrations, and marketing collateral and more!


Synopsis

Fritz Lang's MABUSE films are among the great movie series of all time, and the complete trilogy is featured here in this collection. Included are both parts of Lang's epic 5-hour masterpiece DR. MABUSE: THE GAMBLER. The director/screenwriter deftly evokes the soiled and shoddy world of crime-infested and inflation-racked post World War I Berlin in the first installment. Employing his supreme powers of disguise and hypnosis, Dr. Mabuse (Rudolf Klein-Rogge) surrounds himself with loyal servants and criminal henchmen who assassinate his rivals, manipulate the stock market and seduce wealthy citizens out of their riches. The dark and mystical adventure of the criminal mastermind careens towards its stylised climax in the second installment.

The tenuous and terrified atmosphere of Germany on the eve of Nazi ascendancy is cleverly evoked in Lang's sequel to the 1922 film, THE TESTAMENT OF DR. MABUSE (1933). The film opens with Detective Hofmeister (Karl Meixner) spying on the activities of a criminal syndicate. Not realising he has been seen, Hofmeister is attacked by the thugs and later turns up out of his mind. He is placed in the institution of Professor Baum (Oscar Beregi), who becomes increasingly obsessed with another patient -- the master criminal and hypnotist Dr. Mabuse. As all of the characters speed chaotically towards the film's dark climax, the idea of a madman controlling a mass of hypnotised people and causing them to commit crimes that he premeditates creates a mystical and simultaneously potent political allegory of Lang's time.

Back in Germany for the first time since 1933, Lang returned to the screen character that brought him enormous success in his pre-Hollywood years. THE THOUSAND EYES OF DR.MABUSE (1960) is not so much a sequel as an extension of Lang's early Mabuse films. Set in 1960, the film begins with a series of unsolved murders in a Berlin hotel. The modus operandi of the murderer is the same as that of long-dead megalomaniac Dr. Mabuse. Police detective Gert Frobe and amateur sleuths Peter Van Eyck and Dawn Addams suspect that the killer is a man who believes that he is the reincarnation of Mabuse. Could the culprit be secretive insurance salesman Werner Peters, or blind seer Wolfgang Preiss?

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3 of 3 people found the following review helpful:
5.0 out of 5 stars Superb Set Gets It Right, 29 Oct 2009
By G. Ratcheson (Washington) - See all my reviews
(REAL NAME)   
This is a significantly shortened version of a review I wrote that was too long for Amazon UK's policy.

The box includes the most recent restorations of 1922's Dr Mabuse The Gambler, 1933's The Testament Of Dr Mabuse, & Lang's last film, 1960's 1,000 Eyes Of Dr Mabuse. The set also includes an entire disc of extras for the 1922 film, 3 deluxe booklets with essays on each film, & exclusive new commentaries from noted Lang scholar David Kalat. All 3 films have superb image quality, especially considering the age of the films. The set is region free PAL.

The First Mabuse film appeared in 1922. It's based on Norbert Jacques' novel; & perhaps the most important thing to know about the film is the 2nd part of the title: "A Document of Our Times". I have found the German Weimar Republic period (roughly post WW1-around 1932) to be absolutely fascinating. I'm not aware of any other time & place on Earth that was quite this completely decadent. In Mabuse the Gambler, we get a real taste of what life may have been like in Weimar Germany, combined with a who done it thriller, a little bit of horror (the bad Dr controls his subjects by hypnotism), the occasional expressionistic set design , combined with a tremendous script from Lang's soon to be wife Thea Von Harbou & great acting from stars of the time such as Alfred Able (Metropolis), Rudolf Klein-Rogge (Von Harbou's former real life husband!), & Gertrude Welker who in my opinion steals the picture as the Countess Told. Mabuse, The Gambler follows Lang's previous thriller The Spiders (1919-1920) & predates the later Spies (which borrowed a bit from Mabuse) & M. It is a 4 ½ hour epic with no dull moments, lots of unexpected plot twists & is a must view for fans of classic film. The production values were way ahead of its time & like Testament it does not appear dated today.

A brief comment on the commentary tracks: I strongly recommend first watching the film without the commentary especially if you haven't seen it before, then going back for a 2nd viewing with commentary. I know this is a huge time commitment (but hey, you spent the $50, right..?) , but in my opinion necessary here. Sometimes with silent film, I'm able to watch the film first time thorough with commentary. Here DK's fascinating commentary wanders all over the place (likely because he has so much time to fill), so that what he's discussing often doesn't synch with what's seen on screen, & even though I've seen this film several times previously I found it challenging to follow both the plot & the commentary at once. Nonetheless, I highly recommend spending the time to listen. I have read tons of background on Lang the last few years & there was still much new to me here & some helpful insights. I recommend the same for the other 2 films, but for different reasons: They have dialogue & DK gives away the twists & turns of the plot.

Now on to Testament: This 1933 classic is Lang's second talkie after the hugely influential M, & is both a sequel to The Gambler & to M, as Otto Wernicke reprises his Inspector Lohman character from M. Rudolf Klein-Rogge once again plays Dr Mabuse, though the character is quite different here then in the 1922 film. While still basically a thriller, this one has the highest horror quotient of the 3 films , & is just superbly well done for the times. It also has a subplot of exposing the early Nazi fascism, though just how deeply is open to a lot of disagreement by critics & historians . Remarkably advanced for being an early sound film, Testament does not feel particularly dated to me, though like the other 2 Lang Mabuse films, it's also very much a film of it's time. This was Lang's last German film until the wonderful 1959 remake of the Indian Tomb.

Finally we jump 27 years forward to 1960 for Lang's final film, 1,000 Eyes Of Dr Mabuse. While on the one hand, it's my least favorite of the 3, it's still got Lang's touch & in my opinion the greatest importance of this film is it's influence on the spy genre. In my opinion, the James Bond series borrowed really heavily from 1,000 Eyes. In fact, when I first saw 1,000 Eyes I really thought of Bond & (to a lesser degree Austin Powers), but again it's very much a period piece of Europe in 1960 & still has lots of intriguing Lang plot twists. 1,000 Eyes takes place completely in a fictional German hotel & this Mabuse is intent on destroying the world . While he also uses hypnotism to control people, the phrase "1,000 Eyes" describes a network of video cameras & televisions.

Another thing that raised my opinion of 1,000 Eyes after watching it for the second time this past week was going back to the 2008 Image release of 3 of the post Lang Mabuse sequels also produced by Artur Brauner & starring several of the same actors. When I first picked up the Image set last year, I was unable to make it through more then a few minutes of the 1st film. Having finally watched the 1st 2 films from the sequels set after watching the 3 Lang films in this box I got a new appreciation for 1,000 Eyes. It's corny in places, but still is a film of reasonable quality & the Cornelius character is pretty spooky. By comparison the 3 sequels (which very much imitate Eyes) often come off as unintentional comedy. The difference? Lang.

I have to stop here due to the word limit, but the set is highly recommended.


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