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As writer, scripr editor and producer his experience spans a variety of programme styles including cartoon animation, straight drama and science fiction. This comes through loud and clear in this volume, the second edition of 'The Complete Guide to Scriptwriting.
Straczynski teaches by example, dealing with technique for all types of script. Chapter by chapter he deals with a different topic, telling you how to write for each type, how to sell - even how to draw up your own contracts.
The information he gives on structure and layout is invaluable - script readers are pedantic beyond belief.
Straczynski comes across as honest, open and plain speaking. He tells you what will work and what will not - and teaches you to review your own work objectively.
Obviously there is an American bias to all the information, but this will be a valuable reference tome for all budding writers. Accept no substitutes - learn from the master!
This book gives you *suggestions* for story and structure, without cramming some step-by-step stifling "guaranteed" method down your throat. JMS's advice is open-ended and encourages you to strike out on your own and write unique, one-of-a-kind scripts that are completely yours. No Syd Field type "paradigm", no top secret formula that the author claims can be found in ALL successful movies (or TV shows or cartoons or plays...)--No BS!
But what this book does best is function as a reference for a wide variety of script formats and styles, from television to radio to the stage to the screen (even cartoons are covered). The book gives you ideas on how to market your particular script, helps the reader to decide what kind of story he'd like to tell or what kind of script he'd like to write, even gives you some ideas of what to expect depending on your choices. (You even get solid guidelines on what producers and professional readers expect the script to look like, right down to page margins.)
No scriptwriter should be without this book. It is crammed full of refreshingly useful and relevant information, it's funny, it's no-nonsense, it's fun to read, and it makes you want to sit down and get writing.
Let the "wannabes" read something like "How to be a Megarich Screenwriter in 24 Hours" or "PROVEN Hollywood Secrets". But if you're serious and not dumb enough to expect the road to be easy, check this book out.
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