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A winner... a book that is trenchant, crisply written and absolutely jargon-free, with plenty of enthusiasm but no idolatry—and great fun to read... There should be a place for Comic Book Nation on the bookshelf of anyone who ever read comics for fun as a kid or has taken them seriously as an adult.
(Dennis Drabelle Washington Post Book World 2003)Comics fans ought to rejoice over this book. At a time of transition, with underground comics proliferating on the Web while major companies like Marvel try to pull themselves out of bankruptcy, Comic Book Nation offers a much-needed historical perspective. Tracing the industry's rise, Wright gives comics the scholarly attention they deserve, diligently filling in the back story of a medium that has both reflected and shaped American values for generations... Wright deserves credit for tackling the breadth of comics history, and he succeeds commendably in creating a testament to the genre's power. For anyone who has ever read comics or wanted to leap a building in a single bound, Comic Book Nation is worth a look.
(Damien Cave Salon 2003)Pow! Bam! Crash! Analysis! This insightful and highly entertaining political and cultural history [offers] an intelligent study not only of comics but of shifting attitudes toward popular culture, children, violence, patriotism, and America itself.
(Publishers Weekly (starred review) 2005)At last, a substantive book studying the effect of comic books on American culture and vice versa... [This] extremely well-organized book traces the genre's birth, expansions, and retractions from the 1930s to the present. The fascinating result highlights the increasingly intriguing interaction between pressing events in American society and what was written and published on colorfully paneled pages... A truly worthwhile study of comics as part of American culture.
(Library Journal (starred review) )A fascinating history of comic books that is impressively researched, amply illustrated, smoothly written, carefully analyzed—and fun. It is a serious but not somber study, enlivened with droll humor and deft analogies.
(Neil A. Grauer Cleveland Plain Dealer )Fluently animates the artistic, economic, and social history of comic books, from Superman as '30s hero of the downtrodden to debates over kids' consumption of violent imagery to fan culture.
(Paper )Informative, humorous, and penetrating... [Wright's] theme is simple and persuasive: Comic books provide an acute lens through which to study shifts in popular culture, from World War II to Vietnam to the Reagan era.
(Jacob Heilbrunn Washington Monthly )Solid... A well-documented comics-industry chronicle.
(Booklist )An extremely well researched, engagingly written and long overdue attempt to evaluate the historical impact of comic books on American culture.
(Mike Tsichlis St. Louis Post-Dispatch )This is a sweeping and ambitious history that is successful in explaining the business of comic book publishing and the ways in which the writers, artists, and publishers created an alternative world that appeals to many youthful readers... The book is well written and illustrated.
(Bernard Mergen Journal of American History )I loved Wright's book...Wright succeeds in capturing my past—the smell of chestnuts, popcorn and bubble gum in Grampa's Mom and Pop store [where I bought comic books]—and making us value comics as important cultural artifacts, contributing to our concept of youth and nationhood. Since reading Comic Book Nation, I've rediscovered the joy of comics.
(Grant Tracey North American Review )As interesting as it is well written, a serious comic fan might learn a few things
(NeedCoffee.com )Wright's lively history of the form shows how comic books have molded as well as reflected young Americans as readers, consumers, citizens.
(Jennifer Howard Washington Post Book World )Both educational and entertaining.
(Cercles )Congratulations to Bradford W. Wright for penning one of the most comprehensive and readable accounts of the pervasive effect that comic books have had upon generations of readers throughout America, and indeed—the world.
(Stan Lee )
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Most Helpful Customer Reviews
8 of 8 people found the following review helpful:
4.0 out of 5 stars
For comic book readers and their friends,
This review is from: Comic Book Nation: The Transformation of Youth Culture in America (Paperback)
I bought this for myself because, although I've read US comic books for over 25 years on and off, I hadn't got round to considering how American values, social change and politics had influenced the writers, artists and publishers of the likes of GI Joe, Batman, Luke Cage et al. over the years.This is an easy-to-read (for non-acedemics), entertaining read that provides a whistle stop tour of the interaction between US society and comic books since the 40's. There are some reviews on the web that complain that its too light and misses the opportunity to go deeper into the subject - but for those like me with full time jobs and families to distract us - the book is pitched just about right. Fueled with this new understanding, I'm looking to appreciate the old comics from a different perspective, but with no less enjoyment. I've even ordered another title - 'How to read comic books and why' to learn a little more.
3 of 3 people found the following review helpful:
5.0 out of 5 stars
By far the best scholarly attempt at comic book analysis,
By
This review is from: Comic Book Nation: The Transformation of Youth Culture in America (Paperback)
Aside from William Savage's short history of Cold War comics, there is little else that comes close to matching the scholarly analysis of Bradford Wright's study. He is able to accomodate a broad sweep of the the development of the American comic book industry whilst highlighting the interplay of the comic book narratives with the cultural mores of the time. It by no means is perfect, but undoubtedly it is the best academic study of comic books available and hence is groundbreaking in its vision. Even better Wright's style of writing makes for the book to be accessible to a non academic readership. It's a highly recommended book for academics, everyday readers, and comic book fans, but not for art historians. Wright makes no attempt to debase himself in pretending to be an art historian. This study is purely a socio-cultural piece of superb research.
2 of 2 people found the following review helpful:
5.0 out of 5 stars
Dissertation,
By
This review is from: Comic Book Nation: The Transformation of Youth Culture in America (Paperback)
I am currently doing my dissertation at university on comic books and this has been an absolute godsend. It is written in a clear and concise way making it extremely easy to understand. Plenty of references and history. Absolutely brilliant.
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