Come And See [DVD]

Okay, Before I begin this review, I have a bit of an issue with some previous reviewers of this film who seem to be looking for 'art'.
Other reviewers have actually called this 'art house'. Art house? This film? Come on.
Come and See isn't art, and it definitely isn't a perfectly put together film, but it is a graphic portrayal of human beings fighting each other (I was going to write 'at war' there, but that phrase is too sanitised to describe the actual process).
I was a soldier for over 25 years, and believe me, this film takes you to places never covered by Hollywood, and it's a given in the military that the first film that depicts fighting in all its true horror would be banned outright. (How much film of fighting in Afghanistan are you being shown each evening)?
This film captures the fear and the horror of partisan warfare perfectly. On both 'sides'.
If anything, this film shows just how deep the Great Patriotic War (as it's known as in Russia) carved itself into the Russian psyche, and how it has influenced, and will continue to influence, their subsequent attitude to the West.
It is harrowing, disjointed, dreamlike and at times mystical. Put on this DVD, turn down the lights, and I defy anyone not to be moved deeply by the opening 10 minutes.
The film is so real, and the director catches so many subtle, horrible nuances, that it makes for a very very disturbing film.
Watch it, take it in, and realise what it's like to to have to fight other human beings, day in and day out, night in and night out, with no respite.
We have politicians who commit our young people to every new 'conflict' - sending them to possible death or disfigurement when they themselves haven't even been in a scuffle in a chip shop on saturday night.... Perhaps if they saw this film, just once, they might not see 'conflict' in such a noble light.
Hence the title of my review.
Come and See.
You owe it to yourself to experience this film at least once, in its pure undubbed form. Read more ›

Once you've seen this 1985 movie by Elem Klimov, you'll never be able to forget it. The reasons for this are to be seen both in the aesthetic quality of the realisation of the script, to which Ales Adamovich contributed as well as the director, and in the extraordinary sujet, the brutal elimination of a Belorussian village and its inhabitants at the hands of the SS in 1943, something that happened to 628 villages in Belarus alone between 1941 and 1944.

Partisan warfare behind the frontlines forms the background of this profoundly shocking and deeply moving drama. The pubescent protagonist of the movie, the 14 year-old Flyora, against the will of his mother stubbornly and somewhat naively insists to be allowed to join the ranks of the Soviet partisans operating from the relative security of the impenetrable woods in the area of his native village. The partisans, however, don't think young Flyora to be of much use, and therefore give him only minor tasks like standing on guard. At the partisan encampment he meets Glasha, a girl romantically linked with Kasatch, the leader of the partisan unit. In the course of the film, the almost extra-terrestrial beauty of the girl sharply contrasts with the ever-increasing brutalities of war. After an air raid on the partisan camp, Flyora and Glasha decide to make it for the boy's nearby home village. However, the villagers have all been executed, quite likely because despite all precautions it must have become known to the German occupiers that a boy from the village had joined the guerilla forces. Their bodies can be seen for the fraction of a second piled up like culled cattle behind a wooden house.

Flyora feels guilty for what happened and heads back to his fellow partisans, leaving behind Glasha.... Shortly after that, the boy tries to steal a cow from another village in order to support his unit, yet Flyora is spotted by the German troops that happen to be in the place at the same time. With difficulty, Flyora manages to escape and to disguise himself as an innocent farmboy, but his actions trigger off an unimaginable act of revenge on the part of the SS men.

The following part of the movie will definitely make some viewers TURN OFF their TVs, as it realistically depicts in great detail the slaughtering of the village people by sadistic and partly intoxicated SS troops going on about their deadly 'business' in what seems to be unscrupulous routine fashion, standard procedure. At the same time, the movie's aesthetic foundation undergoes a radical change: After the poetic, neo-expressionistic start to the movie which in many respects like its heavy symbolism is typical of 1970s and 1980s Soviet art cinema, the director switches to a purely naturalistic mode of presentation which lets the horrible facts speak for themselves. Those who manage to endure this part of the movie right to the end at least are rewarded with the almost cathartic arrest and subsequent execution of the SS unit's leaders and their Belorussian accomplices responsible for these horrific atrocities. At the end, it becomes clear that the experiences of the boy have deeply etched themselves into his soul and his face, which is disfigured by wrinkles making him look like an old man by the end of the movie.

All in all, this is a true masterpiece which delineates the dreadful historical truth in an adequate artistic fashion bare of propagandistic tendencies. Read more ›

I have only seen this film once, when it was broadcast on Channel 4 (U.K.) quite a few years back, but it has stayed with me and has haunted me for a good 10 years or so.

I remember it as being a terrifying and brutal portrayal of a Belarussian youth's struggle to survive on the Eastern Front in World War II as he is forced to join hardened partisans and marauding German troops. The actor playing the young man gives a fantastic performance as a soul who has to witness and participate in the madness and do whatever he can to survive.

I'm surprised that it's only a 15 BBFC rating because I thought that it was really strong stuff. Perhaps I'm a wuss. Anyway, forget the Holllywood videogame war films, take up the invitation of the title and prepare to be shocked.

I fail to understand the logic of those who only gave this film one star. They must have been watching a different film to the one I did. I would be interested to know the ages of these people. I would guess they were born after, perhaps, 1980. I was born three years after the end of WW2. My mother came from Austria and experienced part of her life "under occupation", in her case it was the Russians. She befriended a Russian in England who lived under occupation- in her case it was the Germans. Therefore I do have a little comprehension of what was trying to be stated in the film "Come and See".
I would suggest that "the young" have no comprehension of what war is like from the point of view of a civilian in the middle of Europe from 1939 to 1945. At least I have had a second-hand experience of this by having known and spoken to various people.
The "blitz" that occured in England was by all means horrific but not as as horrifying compared to the atrocities committed "on land" during this terrible conflict. (I have ancestors who died fighting on both sides)
I suggest that the "one star brigade" go away to a film appreciation society and try and learn the true meaning of cinema. It seems like those who underated this film are those of the "instant gratification" bunch that society has spawned today.
This is a film that presents its case slowly and in a beautiful, artistic way, leading to a terrifying climax. If you are Russian then you have a right to critisise the acting. If you are not my advice is to always watch a film in its original language.
"Come and See" is a truely great film- if you do not agree I suggest you stick to "The Great Escape" with all its Hollywood pin-ups or even worse... "The Green Berets" starring big John Wayne!