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CD
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14 of 14 people found the following review helpful
Format:Audio CD
The final official Clash album was their most commercially successful, yet in terms of praise it has little. I think that to understand `Combat Rock' you have to first have been able to appreciate `Sandinista!' While less ambitious than the former album, `Combat Rock' covers styles and ideas pursued through all the bands albums.
`Combat Rock' features those two big hits, `Should I Stay Or Should I Go' and 'Rock The Casbah', while the remainder is often dismissed as disappointing. This disparity is very rewarding through further listening. `Sean Flynn', `Ghetto Defendant', `Red Angel Dragnet' are odd the first time round, and but more idiosyncratic and engaging with each further listen. The album musically embodies the bands strains and problems. The stripped sound production is obviously a result of its recording on the road. Another distancing feature of the album is the generally negative and down-tempo feel. This is in strong contrast to their earlier rebellious and up-tempo aggression on the debut and `Give `em Enough Rope' albums. Apart from the two energising hit singles the material sinks in differently. This makes for a totally new kind of Clash album. `Combat Rock' is the next step from `Sandinista!' yet it has a stronger set of pop tunes and hooks closer to `London Calling'.
All in all the greatest virtue of the set is 'Straight To Hell'. It is possibly the most beautiful and sorrowful song they ever wrote. It's inclusion half way through the running order can upset the mix, especially so since the listener is propelled into 'Overpowered by Funk'. `Combat Rock' is definitely an album for an open mind and is a great last hurrah for Mick and Topper.... Read more ›
`Combat Rock' features those two big hits, `Should I Stay Or Should I Go' and 'Rock The Casbah', while the remainder is often dismissed as disappointing. This disparity is very rewarding through further listening. `Sean Flynn', `Ghetto Defendant', `Red Angel Dragnet' are odd the first time round, and but more idiosyncratic and engaging with each further listen. The album musically embodies the bands strains and problems. The stripped sound production is obviously a result of its recording on the road. Another distancing feature of the album is the generally negative and down-tempo feel. This is in strong contrast to their earlier rebellious and up-tempo aggression on the debut and `Give `em Enough Rope' albums. Apart from the two energising hit singles the material sinks in differently. This makes for a totally new kind of Clash album. `Combat Rock' is the next step from `Sandinista!' yet it has a stronger set of pop tunes and hooks closer to `London Calling'.
All in all the greatest virtue of the set is 'Straight To Hell'. It is possibly the most beautiful and sorrowful song they ever wrote. It's inclusion half way through the running order can upset the mix, especially so since the listener is propelled into 'Overpowered by Funk'. `Combat Rock' is definitely an album for an open mind and is a great last hurrah for Mick and Topper.... Read more ›
5 of 5 people found the following review helpful
Format:Audio CD
This seems ot divide opinion more than any other Clash album - some see it as a sell out, others as a return to form following the sprawling, flawed Sandinista. Im certainly in the latter camp; i love this record, and certainly believe the criticism levelled at it is wholy unfair: its a "sell out", why? Because it had two hit singles on it? London Calling was hardly Aphex Twin either, was it? Ironically the Clash's attempt to "reign it in" following the musical binging that was Sandinista is where, in my opinion, this album fails. It has a fairly good cross section of musical styles on here, but fails to really sink into any kind of groove due to the genre-hopping combined with its relative (ie for a Clash album) brevity. Strummers lyrics have also deepened on this record - Allen Ginsberg turns up on Ghetto Defendant and its clear on some of the other tracks (Car Jamming, Straight To Hell) that he was an influence on Strummers songwwriting. It came out at a time when the Clash had just broke big (that is Shea Stadium, albeit supporting the Who, big) in America, and i think this is one of the major influences in people who claim this record is commercial. In my opinion, its no more commercial than London Calling or even the first Clash record, which did appear, lest we forget, in 1977 - a time when no punk record could fail.
Probably my third favourite Clash record, which would place it in my top 15-20 of all time. Love it.
Probably my third favourite Clash record, which would place it in my top 15-20 of all time. Love it.
4 of 4 people found the following review helpful
By Merry Terry
Format:Audio CD
Following on from the gargantuan and indulgent "Sandanista" the Clash went and got a bit global on us with this album.
There's the standards that are unarguably, irrefutable classics. "Should I Stay Or Should I Go" - a no-brainer guitar riff that is so obviously mesmeric. "..Cashbah" being an eccentric classic with Topper's piano riff carrying it.
However, the real charm of this album lays in it's highpoint - the profound and elegant "Straight To Hell" which stands up as one of the most moving and bizarre tracks they ever put down. Bleak post-'Nam lyrics and a fascinating musical back-drop.
Some pleasant but indecisive noodling towards the end perhaps lets this album down a little from being a full-blown masterwork.
But this remains a defining album and a reminder of what The Clash had about them that so many other bands don't.
Even Travis Bickle pops up.
There's the standards that are unarguably, irrefutable classics. "Should I Stay Or Should I Go" - a no-brainer guitar riff that is so obviously mesmeric. "..Cashbah" being an eccentric classic with Topper's piano riff carrying it.
However, the real charm of this album lays in it's highpoint - the profound and elegant "Straight To Hell" which stands up as one of the most moving and bizarre tracks they ever put down. Bleak post-'Nam lyrics and a fascinating musical back-drop.
Some pleasant but indecisive noodling towards the end perhaps lets this album down a little from being a full-blown masterwork.
But this remains a defining album and a reminder of what The Clash had about them that so many other bands don't.
Even Travis Bickle pops up.
4 of 4 people found the following review helpful
By A. Reynolds
Format:Audio CD
'Know Your Rights' is possibly the high-point of the Clash-as-protesters but this album also sees the shift toward commercial mode with 'Rock The Casbah' and 'Should I Stay'.
They had done better and, as musicians in other ventures, they would do well too. This collection marks the death of the old-Clash and is interesting from the historical perspective but the material is either commercial bold or inaccessable.
3 of 3 people found the following review helpful
By A Customer
Format:Audio CD
There isn't a track on here that I don't like - they are all excellent. Sure, it's not London Calling, but why expect it to be? The Clash were on the verge of splitting and all the members' musical tastes were changing, moving in different directions, and the result is this - where outdated punk met the new musical world of pop and rock and funk and reggae. It's also the first LP I bought, so I guess I'm always going to be biased towards it - its actually my all-time favourite record. Everybody should own a copy - as well as everything else by The Clash. So go get shopping!
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Most Recent Customer Reviews
4.0 out of 5 stars
major influence on a young mind
my first full length album on cassette for my first Sony Walkman. aged 9. consider all the influences that are in evidence here. Read more
Published 29 days ago by NoDroneZone
4.0 out of 5 stars
Good not epic
Its a The Clash cd so...that allready's enough to buy it but...
to me is miles away from London Calling but still a great timeless cd...
to me is miles away from London Calling but still a great timeless cd...
Published 1 month ago by Paulo Nicolau
4.0 out of 5 stars
The one after London Calling
Combat Rock always seems to get (wrongly) overlooked because of the sheer brilliance of the album that came before it. Read more
Published 3 months ago by JimmyJazz
5.0 out of 5 stars
Combat Rock: The Clash - Listen to this and be overpowered by the...
There seem to be many parallels between today and the late seventies. A time of economic depression, a working class trodden down by the conscienceless political rulers and... Read more
Published 21 months ago by Victor
5.0 out of 5 stars
should i stay or should i go
what a masterpiece this song is and the clash were my favorite of the punk rock bands. i'm not a big punk rock kid, but the clash was my favorite. Read more
Published on 3 Nov 2007 by for whom the bell tolls
2.0 out of 5 stars
Over -rated Punk Rock!
I bought this based on others reviews and boy was i disappointed.Take way the two singles and you have a rambling album-whats with all the spoken word bits? Read more
Published on 9 Sep 2007 by B. Hazel
5.0 out of 5 stars
It's the best Clash album
I was a few years too young to appreciate The Clash in 1977, but just old enough (about 12) to like Combat Rock when it came out. Read more
Published on 3 Sep 2004
5.0 out of 5 stars
Overpowerd by funk
Dont listen to all the sad reviews of how the clash sold out on Combat Rock. This is the clash at the peak of their evolutionary scale. Read more
Published on 18 Jan 2004
3.0 out of 5 stars
The Clash at their worst (but still OK)
This was the last Strummer/Jones album, and was recorded just prior to the sacking of Topper.
Lyrically, it has some of the best songs ever written, with all band members... Read more
Published on 8 Oct 2003
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