There's something immediately refreshing about this series of Columbo. If anything, season nine (or the second series of the 'new' Columbo's) is a little closer in feel to that of the original seventies series, than the previous year's re-introduction, possibly because this series seems a little more like a collection of tv movies and feels a little less inclined to show more artistic tendancies often reserved for the large screen, as in the case occasionally with Columbo's previous year. Actually, the series appears all the better for this change as the general feel is a lot less stiff and a little more refreshing and relaxed. We even get to see a lot more outdoor scenery, in daylight hours too, with plenty of sun shining, and even Peter Falk seems a little more invigorated often delivering a much sharper performance, even if he still falls a little way short of his seventies peak. However, and despite a number of episodes that tends to deviate a little more from the familiar Columbo formula (which tends to produce mixed results), the stories for the most part still appear to lack the sharpness and attention to detail afforded to their seventies counterparts, and they certainly fail to stand up so strongly over the longterm and after repeated viewings. They are a lot less cerebral.
Unfortunately, one of the most telling problems, certainly when compared with the seventies series, is a strong lack of chemistry between Columbo and the killers, which was almost the most fascinating aspect of the original series. Many of the killers seem exceedingly bland and unmemorable, although there is a welcome exception when Patrick Mcgoohan returns to star (and direct) in a show resulting in Peter Falk rising very much to the occasion. The resulting story 'Agenda For Murder' is typical Columbo fare, for sure, rarely straying from the show's familiar format, but proving to very much be on par with the show's seventies classic shows in terms of tension, especially the sparring between Columbo and his villain. However, many of the other shows appear pretty uneven, certainly in terms of the quality of the storyline, and also the scripts etc.
The positives to be taken from this collection is that if Columbo hadn't appeared so brilliant at the show's seventies outset, a fair number of the episodes here would be judged far more favourably, because for sheer entertainment value, apart from maybe a couple of the very weakest stories, many have much to offer. In fact, the show seems very much on a roll at this point in time. Even Peter Falk himself seems a little more his old self. However, judged in comparison to Columbo's rich legacy this series is never going to appear anything but a poor relation.