The Original Memphis Five were an important group in the development of white small-band jazz, but they recorded for so many companies (often under different names) that a collection of their work for just one label is hardly going to be representative. Nonetheless, there's a lot of good stuff here and this is a worthwhile album for those who like the white pop-jazz of the early 1920's. One disappointment: though the liner notes describe trombonist Miff Mole as the most important member of the band, he's only on 11 of the 25 tracks. (Personally, though Mole is in good form here, the less well-regarded clarinetist Jimmy Lytell seems as creative and inventive in his solos.) The Memphis Five played as a group and got a good, cohesive sound, and though all but the last four tracks (by a revival group with original trumpeter Phil Napoleon and the Dorsey Brothers!) are acoustic recordings, at least they were for a major label and are in good enough sound to do justice to the music.