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Review Originally meant as some loose concept album about the beginning and end of a relationship, Grohl's lyrics read in hindsight suggest a nice man tackling everyday issues, and who was laying his heart on the line. There is a sad undercurrent of loss and regret under some of the finest born-for-stadiums rock outs. The gentle strums of opener Doll offers a vulnerable moment before Monkey Wrench ignites and blasts off into orbit. Highlights such as powerhousing My Hero and the majestic Everlong rank among the band's classics and were the pathway to the band ultimately selling out Wembley for a couple of nights in 2008.
It's still, somewhat worryingly, their biggest selling album in America, where it was showered with nominations for VMAs and Grammys at the time. Over in the UK, it confirmed the beginnings of a beautiful relationship between the Foos and very large crowds.
The Colour And The Shape may have got somewhat lost in 1997's other significant albums, in what was a bit of a vintage year, however 12 years on, it sounds fresh as a singalong-in', lighters aloftin' metal-pop daisy. --Ian Wade
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Often considered to be the Foos' best, the album is a collection of delicious pop-rock classics, full of bounce and melody. Unlike most bands within the genre, Foo Fighters have a real feeling of originality and depth behind their song writing.
The songs are generally built around soft and delicate sections which burst into the punked up choruses. There are also slight metal overtones which add an extra weight to the songs. Some of the best examples of this can be seen in 'Monkey Wrench', 'Hey, Johnny Park!' and 'My Hero'. Then there are quieter ballad moments, such as 'Doll' and 'Walking After You'. However, the standout track, many would agree, is the dream-like 'Everlong' - it simply has to be heard.
In short, 'The Colour and the Shape' is an essential album with some of the best tunes and melodies you will ever hear. Buy it.
YOU HAVE TO OWN THIS ALBUM
Every song gets five stars.
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