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Collections [VINYL] Maxi

42 customer reviews

Price: £24.79 & FREE Delivery in the UK. Details
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Amazon's Delphic Store


Image of album by Delphic


Image of Delphic


In a world of indie bands dipping a cautious toe into dance music’s occasionally baffling computer world, Delphic are post-dance futurist nostalgics from Manchester who have managed to take repetitive beats and crisp electronics out of the underground to emerge as one of the UK’s most exciting new bands. Their debut record, Acolyte, will see its long awaited US release on June ... Read more in Amazon's Delphic Store

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for 5 albums, 11 photos, discussions, and more.

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Product Features

  • Ships in Certified Frustration-Free Packaging

Product details

  • Vinyl (28 Jan. 2013)
  • Number of Discs: 1
  • Format: Maxi
  • Label: Polydor Group
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 3.2 out of 5 stars  See all reviews (42 customer reviews)
  • Amazon Bestsellers Rank: 344,492 in Music (See Top 100 in Music)

1. Of The Young
2. Baiya
3. Changes
4. Freedom Found
5. Atlas
6. Tears Before Bedtime
7. The Sun Also Rises
8. Memeo
9. Don't Let The Dreamers Take You Away
10. Exotic

Product Description

Product Description

Completed over 18 months, Collections is the second studio album from Manchester three-piece Delphic, and includes the track "Good Life", one of the five official Olympic tracks for London 2012. the album was produced by Ben Allen (Bombay Bicycle Club, Animal Collective) and Tim Goldsworthy (Massive Attack, LCD Soundsystem) and fuses elements of electronica, hip hop and house to create a distinctive and unique soundscape.

BBC Review

Most dance-rock hybrids mutate into hideous beasts: dull, unimaginative or plain embarrassing creations that should, by rights, be locked in one’s attic and kept away from human eyes (and ears).

It’s curious, then, that Delphic didn’t scoop more plaudits for bucking the trend with their 2010 debut Acolyte: hyped to the heavens when still in their infancy, and yet oddly overlooked when they came good with the spoils.

For all the musical heritage of their Manchester hometown, comparisons to the past seemed to hinder rather than help. Even though their sound paid debt toThe Chemical Brothers and Orbital, among others, the “knock-off New Order” catcall never seemed far away.

Delphic don’t sound like New Order any more, though – and that’s not necessarily a good thing. Instead, too often on second album Collections they seem a facsimile of disparate bands, genres and style.

Throughout, there’s a nagging suspicion that the past three years have been spent assembling a sonic patchwork of ill-fitting hand-me-downs, rather than weaving their own, better-suited garments.

So, while Of the Young is a fine, strutting stomp with its blood and thunder percussion and a skyscraper-sized chorus, first single Baiya is an unsuccessful marriage of schlocky RnB and sub-Friendly Fires dance-pop.

There’s something unsettling, too, about its would-be-sexy refrain of “Feel you breathing down my neck/ Tenderness is the only weapon left.”

The bombastic throb of The Sun Also Rises comes off as a limp halfway point between MGMT and Passion Pit, while Atlas is a six-minute slumber that only jolts into life courtesy of its flirtation with anaemic dubstep breakdowns.

Freedom Found, meanwhile, fancies itself as a sultry slow-jam but is more suited to post-passion awkwardness than steamy encounters.

Ben Allen and Tim Goldsworthy’s production is spick and span throughout. They add satisfying sheen to the likes of Don’t Let the Dreamers Take You Away, and the glitchy voicemail samples of Tears Before Bedtime show, if nothing else, a stab at innovation.

But on the whole, Collections is a misfire and proof that, sometimes, re-inventing the wheel doesn’t always reap rewards – especially if you were already journeying more gracefully from A-to-B than most of your contemporaries.

--Ben Hewitt

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Customer Reviews

3.2 out of 5 stars

Most Helpful Customer Reviews

1 of 1 people found the following review helpful By indieisnotagenre on 19 Aug. 2014
Format: Audio CD
We get very angry about the state of popular music and we want to bloody change it. And why shouldn’t we?’ says frontman Rick Boardman. Delphic dabble in all kinds of genres with this album, be it hip hop (!), electronica, pop or house. This isn’t necessarily a bad thing, it sometimes just feels really forced, overproduced or simply out of place. Atlas, for example, starts like a typical Delphic song (in light of Acolyte) but halfway through the song it feels more like a remix due to the unlikely dub interlude. The single Baiya flirts with exotic funk sounds. If you didn’t like the single much, you won’t like the rest of the album either. On Changes they have a try at rap which doesn’t seem to want to fit the mellow chorus. On Exotic synthetic beat boxing is used as well as hip hop guest vocals.

The opener Of The Young (“The night is always of the young”) is an upbeat pop song that seems like an obvious choice for a second single but in parts it’s just a little too similar to fun.’s We Are Young (“Tonight, we are young”).

Boardman’s vocal range also seems too limited in same parts, like the falsetto over a 2:50 minute monologue on Tears Before bedtime.

“All hell is breaking lose” is the promise made by Delphic’s current single Baiya but unfortunately the same can’t be said for the album. It wasn’t until the seventh song of the 10 track album The Sun also Rises that Delphic were able to capture my attention with this mostly mid-tempo record. Other than The Sun also Rises the album doesn’t live up to the bold promise made in Baiya and is exceptionally dull and overproduced synth-pop (Freedom Found, Don’t Let The Dreamers Take You Away).

Granted that Delphic have moved on in their three years of absence but I’m afraid that so have their fans.
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13 of 15 people found the following review helpful By PJBuzz on 1 Feb. 2013
Format: Audio CD Verified Purchase
You made one of my favourite albums of the last few years. Great fun, depth, Orbital-gloopy-beats, forward-looking, New Order moments, etc.. Then, this... Delphic's second is probably the most disappointing follow-up I've ever heard (and, unfortunately purchased). Collections doesn't have one single redeeming moment. A crying, terrible, gut-wrenching shame.
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17 of 20 people found the following review helpful By Zipster Zeus on 31 Jan. 2013
Format: Audio CD
It really pains me to write this because I absolutely loved Acolyte and did think Delphic were a very bright hope in a desolate UK music scene, and then they go and put out this, which is I'm sorry to say, if there are any hardcore fans still out there, rubbish.

Okay so that's all the negative feedback button pushers stirred up and I am prepared for the onslaught but it's because I was so taken by the stylishness and confidence of Acolyte that I feel driven to be so critical of this album. My first suspicions that I might be in for a disappointment was in fact the first glimpse at a truly appalling cover...why do bands after spending ages painstakingly creating their music, let it be set back by allowing such terrible artwork to front up their work? God, it happens so much but in this case, Delphic look set to getting this year's award for the worst cover in the market, and little else.

Unfortunately the music itself doesn't make up for it. It is bland, unfocused and at times confused. They experiment with a rapper which quite simply doesn't work and is actually at times embarrassingly awful, and the rest of it seems like a mash up of wanting to be The Hurts [but without the melody and emotion] and a harmonising boy band [without the tunes and personality].

I'm sorry it has to be said...this album is truly awful. I'm so sorry to say it too, because Acolyte was so brilliant. What happened? Get back on track again guys because we need you although you've got a lot of work to do after this, as I suspect your time may now have gone :(((
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6 of 7 people found the following review helpful By Patrick Løye VINE VOICE on 18 Feb. 2013
Format: Audio CD
Back in 2010, Delphic exploded onto our speakers with a vibrant dance-electronic swagger to well-deserved great acclaim. Ice-cool and a delight to listen to. As debuts go, it was one of the finest introductions I'd heard. Needless to say, the bar was set high for the impressive new kids on the block - How would they follow up their explosive welcome?

Well, this one was certainly unexpected, I'll give them that...

Apparently Collections is a 'collection of songs to encourage people to think outside the box'... which, to me, is an artistic cop-out. It's a euphemism for "This is way out there and likely to suck, but if you don't like it, it's because you don't understand" - As is the way with most modern art (in a way, the album is a bit like the modern-art of the music world). But thought-provoking or not; to me, it boils down to one simple point: I don't enjoy listening to it. The album feels incredibly lacklustre and the stylish edge we had in Acolyte now replaced with a timid boy-band spongy outer coating.

Don't get me wrong, it has good songs and it has its moments - But it lacks the punch or a decent front-man of a song. Imagine Acolyte with the likes of 'Doubt', 'Counterpoint' and 'Halcyon' stripped out. It just seems to lack 'conviction', as if they don't quite know where to take the album. I've warmed up to most of the songs - but that's pretty much where it sits - lukewarm and nice enough as ambience. It's alright but it's not enthralling. Anything more would be clutching at straws and trying to mask the fact that such a promising band has failed to deliver

1. Of The Young - A decent opener. You can immediately feel the more timid tone though. That said, it's quite enjoyable, and whilst it doesn't quite make a splash, it's good enough
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