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Previously uncollected tales range from How We Went to Mars (1938) to The Wire Continuum (1997), cowritten by Stephen Baxter with whom Clarke collaborated on The Light of Other Days (2000). There are ingenious jokes such as Quarantine, displaying a sense of humour which will surprise those who think of Clarke only as the sober visionary behind 2001: A Space Odyssey (1968). Here too are The Sentinel and Breaking Strain, both of which provided inspiration for that film, together with such unforgettably haunting classics as The Nine Billion Names of God, Transience and The Star. Indeed, for a man considered the prophet of the modern technological age, coupled with all the scientific ingenuity and adventure there is a deep thread of essentially English melancholy, a love of nature and a lucid sense of cosmic sadness to Clarke's finest interplanetary tales. This is not just a perfect companion to the author's massive collection of non-fiction, Greetings, Carbon-Based Bipeds!, but an essential addition to every reader's library. Clarke's best stories are among the finest ever written in any genre, now collected in an anthology as definitive as it is possible to get.--Gary S Dalkin --This text refers to an out of print or unavailable edition of this title.
WHAT'S GOOD:
Clarke's genius is clearly shown here as we read stories about various things that actually came true years later. For instance, in reading 'The Sentinel' (upon which '2001: A Space Odyssey' was based) his description of the moon's surface is so good that it's hard to believe it was written more that two decades before Armstrong actually got there. In this collection we also see Clarke's creation of what are now common, essential and taken for granted, commercial communications satellites. There's also a great many Harry Purvis stories, in which that colourful character tells stories of his own to argue a point, educate his friends or simply for entertainment. Fans of Clarke's works will also be interested in reading the short stories which went on to become some of the best loved full-length science fiction novels of all time; as I say above 'The Sentinel', 'The Songs Of Distant Earth' and 'The Hammer Of God' among a few others. There's also quite a few brief editorial notes by the man himself, giving anecdotes and the like, which adds a personal touch to the book.
WHAT'S BAD:
In an anthology of more than one hundred stories, there are bound to be some bad ones. On occasion the stories here are either boring or outdated, but I'd say they're still worth reading.
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