offers a change of pace for Tom Cruise as a ruthless contract killer, but that's just one of many reasons to recommend this well-crafted thriller. It's from Michael Mann, after all, and the director's stellar track record with crime thrillers (Thief
, and especially Heat
) guarantees a rich combination of intelligent plotting, well-drawn characters, and escalating tension, beginning here when icy hit-man Vincent (Cruise) recruits cab driver Max (Jamie Foxx) to drive him through a nocturnal tour of Los Angeles, during which he will execute five people in a 10-hour spree. While Stuart Beattie's screenplay deftly combines intimate character study with raw bursts of action (in keeping with Mann's directorial trademark), Foxx does the best work of his career to date (between his excellent performance in Ali
and his title-role showcase in Ray
), and Cruise is fiercely convincing as an ultra-disciplined sociopath. Jada Pinkett-Smith rises above the limitations of a supporting role, and Mann directs with the confidence of a master, turning L.A. into a third major character (much as it was in the Mann-produced TV series Robbery Homicide Division
is a bit slow at first, but as it develops subtle themes of elusive dreams and lives on the edge, it shifts into overdrive and races, with breathtaking precision, toward a nail-biting climax. --Jeff Shannon
Michael Mann directs this stylish crime thriller, in which Tom Cruise is cast against type as assassin Vincent, who hires taxi driver Max (Jamie Foxx) to take him to five different addresses over the course of one evening - and to wait outside while he carries out his ruthless business. As Max becomes aware of Vincent's true purpose - and realises that one of Vincent's potential victims is Annie (Jada Pinkett Smith), a young, friendly and attractive lawyer who rode in his cab earlier, he must find a way to prevent Vincent from killing again - and to save his own skin. Mark Ruffalo, Bruce McGill and Peter Berg co-star as the three LAPD cops hot on Vincent's tail.