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From the first track, the evocotive Cold Frontier, to the last song, The Flood, Show of Hands manage to combine an extraordinary talent for song-writing and lyricism with a fine ear for instumentation - for example the heart-breaking 'cello on Don't Look Now, a fine ghost story based on an idea by Phil Beer, or the sparse guitar of Come By, echoing the combined sentiment of love for the English Countryside and anger at the ill treatment of our environment, and the effects it has on people simply trying to earn a living. Surely, as a song-writer, Steve Knightly deserves all the accolades heaped on him from all sides.
This is not to under-estimate the influence of Phil Beer, a superb muli-instrumentalist who is key to Show of Hands' distinctive acoustic sound. Lest it be thought that Phil plays second fiddle to Steve Knightly, just listen to his playing first fiddle on tracks such as Northwest Passage and Sally Free and Easy, the latter a song about lost love at sea: folk played with a modern ear. He is no mean singer either, with a warmth that compliments Steve Knightly's 'windswept' voice.
Finally, for all their observations on such issues as asylum seekers, or the effects of Chernobyl, never let it be said that these guys lack a sense of humour: their experience of meeting a drunk in Yeovil Town is told with fine self-deprecating wit, and Things I Learnt Last Year sounds more like a pub session than an album track, with the singers sounding like they are just about to burst into laughter. Balancing incisive contempory social comment with more traditional songs, the final impression given is that this is a duo who quite simply enjoy making good music. Cold Frontier is a heart warming album, which you will want to listen to again and again.
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