- Paperback: 224 pages
- Publisher: HarperCollins; New Ed edition (3 Aug 1998)
- Language English
- ISBN-10: 0006510116
- ISBN-13: 978-0006510116
- Product Dimensions: 17 x 11 x 1.6 cm
- Amazon Bestsellers Rank: 1,626,374 in Books (See Top 100 in Books)
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Product details
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‘Butler distills her own brand of disquiet: omnipresent and irresistible’
Sunday Times
‘Gwendoline Butler writes detective novels that both in method and atmosphere are things apart… she achieves that real whodunit pull’
Marcel Berlins, The Times
‘[Gwendoline Butler’s] inventiveness never seems to flag; and the singular atmosphere of her books, compounded of jauntiness and menace, remains undiminished’ Patricia Craig, TLS
In the aftermath of a terrorist explosion in London’s Second City, a woman’s battered corpse is found in a damaged building. But it is soon evident that this is no bomb victim. A sadistic killer has mutilated the remains, removing the fingertips and leaving the face unrecognizable. The only clue to the dead person’s identity is a handbag found on the scene. Its owner: Stella Pinero, actress wife of Chief Commander John Coffin.
The investigation which follows is complicated by Coffin’s refusal to believe that the remains could be Stella’s, and Chief Superintendent Archie Young faces the unenviable task of questioning a superior officer as to the sort of men his wife was in the habit of associating with. Meanwhile, the secretive Inspector Lodge of the Terrorist Investigation Squad harbours fears of his own.
When a second body is discovered, Coffin finds himself drawn into a nightmarish game. The murder inquiry reveals terrible truths as it unfolds, bringing pain and bitterness to John Coffin as he is forced to confront death and treachery in his own backyard.
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Stella Pinero goes on a short R&R to calm her inner demons, the ones that seem to wake her in the middle of a performance and ask, "What are you doing and why are you doing it?" She leaves shortly after two explosions (presumably placed by terrorists) occur in one day in the Second City. Stella disappears for several days, but her purse turns up at the scene of a murder, along with her clothing on the body of the deceased. There is also a disturbing photograph of Stella chewing on a human arm. Even the Chief Commander admits:
"It's like a Victorian melodrama ... The heroine's handkerchief turns up to incriminate her."
Of course, when Stella shows up, she acts as if nothing has happened. Oh, those actresses and their pesky secrets!
The investigation continues, along with much agonizing on everyone's part for having to suspect the Chief Commander's wife. Archie Young tries to get along with Inspector Lodge, a specialist in terrorism brought in to help out with the bombings. Phoebe Astley is as competent as ever, but her boss is worried about who she's sleeping with. But these have little to do with the overall plot and don't really do much to advance the story.
Coffin's "game" turns out to be little more than an investigation technique of walking the witness through familiar places. He turns it into a game of trust between him and his wife, trying to determine whether she will trust him with the truth, and it plays out rather like the melodrama Coffin alludes to earlier as he uncovers once of Stella's secrets from the past.
Butler's focus on her main character is overwhelmingly ponderous throughout the book. Coffin never seems to grow out of his staid isolationism. The seconary characters -- even the criminals -- are more interesting. While it's admirable that the author focuses on people to tell the story rather than the plot alone, it's obvious she didn't give enough attention to the plot in this police procedural. Her die-hard fans will find only a small growth in the relationship between John Coffin and Stella Pinero, but little else of interest.
So, what we have are two enigmatic main characters and a fluff of a dog, several murders, and the usual display of Gwendoline Butler's flakes and perverts. The plot is filled with twists and turns, some of which lead to undisclosed past events and some of which are a result of the characters' own dark secrets.
Do we have a good book? Not exactly. Things do get logically put together in the end, and the motives are sex, money, and revenge. But somehow, there's an integration lacking here--too much of the plot and the characterization seems to be decorations which are not integrated with function. Like lace doilies on the arm of a flowered chintz sofa, there's too much "stuff" to be anything but a distraction.
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