I had encountered Joni Mitchell work from the 1970s in great detail and thoroughly enjoyed these albums. 'Blue'(1971) and 'Court And Spark' (1974), two wondrous soul-bearing records, 'The Hissing Of Summer Lawns' (1975) and 'Hejira' (1976), two abstract Mitchell classics, and 'For The Roses' (1972), an artistic improvement from her folk beginnings.
'Clouds' will always fall into the folk category, further emphasised by the Grammy award in 1970 for Best Folk Performance. No matter what genre the album is, by goodness it is a great one.
'Tin Angel' displays masterful songwriting skills to a haunting hippie-like hook of "I found someone to love today". 'Chelsea Morning' is a bright folk-pop song about the joys of life and is the highest point of the album emotionally. 'I Don't Know Where I Stand' is completely different for its lyrics represent the uncertainty towards a new lover. 'That Song About The Midway', as with the previous tracks, is a major standout and along with the majority of the tracks is mid-tempo ('Chelsea Morning' the only fast-paced song here). Joni's pure voice glides over this song with particular success and reward for the listener. The haunting hippie tune 'Roses Blue' sounds like a companion to 'The Priest' from Mitchell's own Ladies Of The Canyon album (1970) and is another highlight.
The second half of 'Clouds' is almost as engaging as the first, with effortless melodies, beautifully pure vocals and wonderful folk-styled acoustic guitar ability. 'The Gallery' is definitely a standout, and boasts one of the album's strongest and most memorable melodies after a few listens. The lyrics are also notable for their dark quality set to relatively jolly music. 'I Think I Understand' is the album's least engaging song, but by no means bad. 'Songs To Aging Children Come', yet another 'hippie' tune, has a weird and wonderful melody and an amazing set of chords. The a cappella peace protest 'The Fiddle And The Drum' is a perfect backdrop for the troubled 60s, while the famous closer 'Both Sides Now' is a mid-tempo folk standard with a pretty melody and pleasant guitar.
'Clouds' is an album of mixed emotions and contrast the "happy" and "sad" feelings. Released in 1969 originally, 'Clouds' still sounds fresh and beautiful 33 years later.
Countless people will always insist that Mitchell's later work is of more importance and brilliance, but 'Clouds' certainly gives them all a run for their money, if not matching the superb quality of 'The Hissing Of Summer Lawns' and 'Hejira'.
Such an extraordinary album for a second effort, 'Clouds' is close in resemblance to 1970's 'Ladies Of The Canyon' - so buy that too if you enjoy this.