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Cloud Atlas Paperback – 22 Nov 2012

658 customer reviews

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Product details

  • Paperback: 560 pages
  • Publisher: Sceptre (22 Nov. 2012)
  • Language: English
  • ISBN-10: 1444730878
  • ISBN-13: 978-1444730876
  • Product Dimensions: 13 x 3.6 x 19.7 cm
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (658 customer reviews)
  • Amazon Bestsellers Rank: 124,574 in Books (See Top 100 in Books)

More About the Author

Born in 1969, David Mitchell grew up in Worcestershire. After graduating from Kent University, he taught English in Japan, where he wrote his first novel, Ghostwritten. Published in 1999, it was awarded the Mail on Sunday/John Llewellyn Rhys Prize and shortlisted for the Guardian First Book Award. His second novel, number9dream, was shortlisted for the Booker Prize and the James Tait Black Memorial Prize, and in 2003, David Mitchell was selected as one of Granta's Best of Young British Novelists. His third novel, Cloud Atlas, won the Geoffrey Faber Memorial and South Bank Show Literature prizes and the Richard & Judy Best Read of the Year. It was also shortlisted for the Man Booker Prize, and adapted for film in 2012. It was followed by Black Swan Green, shortlisted for the Costa Novel of the Year Award, and The Thousand Autumns of Jacob de Zoet, which was a No. 1 Sunday Times bestseller. Both were also longlisted for the Man Booker Prize.

In 2013, The Reason I Jump: One Boy's Voice From the Silence of Autism by Naoki Higashida was published in a translation from the Japanese by David Mitchell and KA Yoshida. It was an immediate bestseller in the UK and later in the US as well. David Mitchell's sixth novel is The Bone Clocks (Sceptre, September 2014).

He now lives in Ireland with his wife and their two children.

Product Description

Amazon Review

It's hard not to become ensnared by words beginning with the letter B, when attempting to describe Cloud Atlas, David Mitchell's third novel. It's a big book, for start, bold in scope and execution--a bravura literary performance, possibly. (Let's steer clear of breathtaking for now.) Then, of course, Mitchell was among Granta's Best of Young British Novelists and his second novel number9dreamwas shortlisted for the Booker Prize. Characters with birthmarks in the shape of comets are a motif; as are boats. Oh and one of the six narratives strands of the book--where coincidentally Robert Frobisher, a young composer, dreams up "a sextet for overlapping soloists" entitled Cloud Atlas--is set in Belgium, not far from Bruges. (See what I mean?)

Structured rather akin to a Chinese puzzle or a set of Matrioshka dolls, there are dazzling shifts in genre and voice and the stories leak into each other with incidents and people being passed on like batons in a relay race. The 19th-century journals of an American notary in the Pacific that open the novel are subsequently unearthed 80 years later on by Frobisher in the library of the ageing, syphilitic maestro he's trying to fleece. Frobisher's waspish letters to his old Cambridge crony, Rufus Sexsmith, in turn surface when Rufus, (by the 1970s a leading nuclear scientist) is murdered. A novelistic account of the journalist Luisa Rey's investigation into Rufus' death finds its way to Timothy Cavendish, a London vanity publisher with an author who has an ingenious method of silencing a snide reviewer. And in a near-dystopian Blade Runner-esque future, a genetically engineered fast food waitress sees a movie based on Cavendish's unfortunate internment in a Hull retirement home. (Cavendish himself wonders how a director called Lars might wish to tackle his plight). All this is less tricky than it sounds, only the lone "Zachary" chapter, told in Pacific Islander dialect (all "dingos'n'ravens", "brekker" and "f'llowin'"s) is an exercise in style too far. Not all the threads quite connect but nonetheless Mitchell binds them into a quite spellbinding rumination on human nature, power, oppression, race, colonialism and consumerism. --Travis Elborough --This text refers to an out of print or unavailable edition of this title.


A remarkable book ... there won't be a bigger, bolder novel this year. (Guardian)

An impeccable dance of genres . . . an elegiac, radiant festival of prescience, meditation and entertainment. (Neel Mukherjee The Times)

A singular achievement, from an author of extraordinary ambition and skill. (Matt Thorne Independent on Sunday)

David Mitchell entices his readers onto a rollercoaster, and at first they wonder if they want to get off. Then - at least in my case - they can't bear the journey to end. (AS Byatt Guardian)

Mitchell's storytelling in Cloud Atlas is of the best. (Lawrence Norfolk Independent)

Impeccably structured novel of ideas in many voices by a talent to watch. (Literary Editor's Best Books Observer)

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Customer Reviews

3.9 out of 5 stars

Most Helpful Customer Reviews

801 of 808 people found the following review helpful By Sid Nuncius HALL OF FAMETOP 10 REVIEWER on 28 April 2010
Format: Paperback
I was expecting to hate this book. I forced myself to try it because people had gone on about it so much, but I really didn't like the descriptions I'd heard: 500-plus pages, visions of a dystopian future, a fractured timescale with six loosely-linked narratives each nested within the previous one, and so on and so on. It just reeked to me of a self-regarding author determined to show the judging panels of literary prizes how terribly clever he was, and with no interest whatsoever in whether anyone normal would actually be able to read the thing.

Well, I was completely wrong. I thought it was absolutely terrific. Interesting, thoughtful, readable and - most surprisingly of all - page-turningly suspenseful and exciting quite a lot of the time. I thought it had a lot of thoughtful and thought-provoking things to say about exploitation and the abuse of power, and about the possible consequences of both humanity and inhumanity. The different voices are really well done, with the historic and present-day(ish) ones sounding absolutely authentic and the future ones chillingly believable both in the language they use and what they say with it. The stories are involving, occasionally humorous, sometimes sad and sometimes extremely touching. For example, the few paragraphs when a character in a train passes some of the places of his youth and sees them much changed are really affecting, I thought, even though the character himself is thoroughly odious.

I doubt whether many people, if any, will read this review among the hundreds of others here, but if you do I would urge you to try the book. Plainly quite a few other reviewers hated the book and did find it as terrible as I expected to. You may hate it too, but you won't have lost much. On the other hand, you may be surprised to find it as enjoyable and rewarding as I did. It's worth the risk - if you do find it's for you, you'll never forget it.
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140 of 145 people found the following review helpful By Christof on 2 April 2010
Format: Hardcover
With the mixed reviews, that is the question!

This is a big read. Quite long, and filled with connections, but it is very rewarding.

So, read it if you have the time and the mental energy. On holiday, for example. Do not get this book and think you can do 20 pages a night and just dip into it. It will need your time.

It will also need your patience. I found it hard to get into, and nearly gave up during the first part. Just as I was getting into the first part, it finished and the second part started and I felt like I was starting again.

But keep going and you will get to the point where it all starts to come together.

I would also suggest that you find out as little as possible about the plot. Let the plot reveal itself. Don't read the reviews that give it away and don't surf around looking for comment and insight into it. Let the intricateness reveal itself naturally.

If you have the time and patience you will find a wonderful book.
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10 of 10 people found the following review helpful By Bacchus TOP 500 REVIEWERVINE VOICE on 14 Jun. 2012
Format: Paperback
I will say at the outset that I largely enjoyed reading this book but there were times when I found it rather frustrating and annoying.

For anyone unfamiliar with this book, they need to be aware that it is a series of different stories. With the exception of the middle story, they are all cut in half and have to be read in two parts.

Part 1 is the Pacific Diary of Adam Ewing, a mid 19th Century American lawyer who is on a voyage across the Pacific Ocean. This book reminded me a bit of William Golding's "Close Quarters" and I confess that its studied 19th Century written style was quite hard to read. I dreaded having to read 500 pages like this. Part 1 ends mid sentence. I first thought that I had a faulty copy of the book.

Part 2 is "Letters from Zedelghen". I enjoyed this part of the book. It is the letters sent by Robert Frobisher to a University friend (and possibly a lover)called Robert Sixsmith in 1931. Frobisher is an aspiring composer who has been disinherited by his wealthy English family and is fleeing his creditors. He has landed himself the job of amanuensis to an aging English composer, Vivyan Ayrs (a thinly disguised version of Frederick Delius) living in Belgium. While he is there he picks up the Pacific Diary of Adam Ewing (Part 1 of the book), thereby creating a connection within the book.

Part 3 is "Half Lives, a Luiza Rey Mystery". This was also enjoyable, concerning the investigations by Luiza Rey, an investigative journalist, into possible environmental dangers caused by a 1970s nuclear power plant in California run by people who will stop at nothing to prevent the truth coming out. Her chief source is an English scientRobert Sixsmith, the recipient of the letters from Robert Frobisher.
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15 of 16 people found the following review helpful By Mingo Bingo VINE VOICE on 16 May 2010
Format: Paperback Verified Purchase
This is one of those books that has been on my book shelf for a long time and I've put off reading on a number of occasions for various reasons. It's too long. It's a Booker Prize shortlist, so it's going to be weighty. I'm not sure if I like the idea of connecting stories.

Having read it now I wish I had done so earlier.

Trying to explain it in under 300 words is hard. This is a book that is the sum of a number of parts. It is made up of six short novellas. All completely different, set in different times, written in different styles, about different things.

Each story apart from the central sixth is chopped in two. It begins with "The Pacific Journey of Adam Ewing", which is cut short at 40 odd pages by "Letters from Zedelghem", which is in turn cut short by "Half Lives", that by "The Ghastly Ordeal of Timothy Cavendish", then "An Orison of Somni-451", then we get the full tale of "Sloosha's Crossin an Ev'rything after", then it works back down through the conclusions of the tales. The structure makes you feel as if you are witnessing something spreading out and then contracting, as the stories concertina outwards and then shrink back in on themselves. A series of Russian dolls.

Each story leaps forward in time about 100 years, the first being in the colonial days in the South Pacific, the central story in a post-apocalyptic world an undefined time in the future.

The stories are linked by the main character of each (which may a reincarnation of the previous) learning the story of the preceeding main character. Indeed it plays with the idea of communication and story telling, using the primary communication tools of the era each story is set in. Diary, then letter, then pulp fiction, then film, then hologram, then back to verbal storytelling.
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