- Vinyl (25 July 2005)
- Number of Discs: 2
- Label: Regal
- ASIN: B000A0UKMS
- Other Editions: Audio CD
- Average Customer Review: 4.4 out of 5 stars See all reviews (13 customer reviews)
- Amazon Bestsellers Rank: 525,721 in Music (See Top 100 in Music)
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Kicking off with the excellent "Good Stuff", singer-guitarist Barry Dobbin immediately nails his eccentric colours to the mast, singing about sucking up poison "though a curly straw" over metronomic beats and neat stabs of guitar. Interestingly, Clor seldom turn to that old chestnut of rock, the distortion pedal: "Love + Pain" is so clean the melody veritably sparkles, while "Dangerzone" slows things down and spaces out, like a 21st Century remake of Kraftwerks spartan "Radioactivity". Meanwhile, on "Hearts On Fire", they pull that trick that few but the Super Furry Animals can successfully pull off, morphing from rock song to techno workout with such eminent skill you can barely see the join. A remarkable debut. --Louis Patterson
Review Rather than three-minute pop songs with catchy choruses, this album consists of a series of meandering journeys into alien worlds. It could be playing in the background of that bar in Return Of The Jedi. Or as you walk into some secret meeting of comic book enthusiasts. But it's not all geek chic. It's glam 80s synth, messy guitars, changing tempos and futuristic rhythms. Let's put it this way, it's unlikely you'll be humming a Clor tune on your way to work in the morning.
The singles stand out. "Love + Pain" sounds like early Supergrass and "Outlines" seems destined to become a classic. "Dangerzone" evokes new millennium visions of robots clunking around in factories and "Magic Touch" sounds a little like Prince.
It's definitely worth a listen, but is it worth your hard-earned cash? Not unless you're really into chaotic pop. However, there is definitely a time for this album -it's great for silly dancing. Especially if you love wearing sharp suits two sizes too small, dramatic eye make up and glitter. Even more so if you've perfected the clunky robotics that was all the rage a couple of decades ago. And if you can get to see them live while you're doing it, you'll have found the perfect time and place for Clor. --Joanna Witt
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Chances are, if you've liked any of the singles (the third single GOOD STUFF is going to be released soon) then you'll like the album.
None of that should reflect badly on Clor though. Their debut starts at the place Blur left off with 'Trouble In The Message Centre', injecting that Numanoid template with so many pop hooks and lyrical songs that even the most die hard eighties detractor will surely be won over. Singer Barry and guitarist Luke (formerly DJ's at the eclectic Bad Bunny club night in Soho) aren't just mere electro-pop boffins though, they've clearly indulged in some Can, Eno, Roxy Music and there's probably the odd BBC Radiophonic Workshop album in their DJ box too! It's all tastefully thrown into their melting pot of pop madness. The opening trio alone ('Good Stuff','Outlines','Love + Pain') are each would be or actual singles that could easily spark a resurgence of interest in The Human League and Sparks. This is one of those amazing first albums where the band arrives out of nowhere already fully formed, great things surely await!
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