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It's all stylised: from Burgess' invented pidgin Russian (snarled unforgettably by McDowell) to 2001-style slow tracks through sculpturally perfect sets (as with many Kubrick movies, the story could be told through decor alone) and exaggerated, grotesque performances on a par with those of Dr Strangelove (especially from Patrick Magee and Aubrey Morris). Made in 1971, based on a novel from 1962, A Clockwork Orange resonates across the years. Its future is now quaint, with Magee pecking out "subversive literature" on a giant IBM typewriter and "lovely, lovely Ludwig Van" on mini-cassette tapes. However, the world of "Municipal Flat Block 18A, Linear North" is very much with us: a housing estate where classical murals are obscenely vandalised, passers-by are rare and yobs loll about with nothing better to do than hurt people.
On the DVD: The extras are skimpy, with just an impressionist trailer in the style of the film used to brainwash Alex and a list of awards for which Clockwork Orange was nominated and awarded. The box promises soundtracks in English, French and Italian and subtitles in ten languages, but the disc just has two English soundtracks (mono and Dolby Surround 5.1) and two sets of English subtitles. The terrific-looking "digitally restored and remastered" print is letterboxed at 1.66:1 and on a widescreen TV plays best at 14:9. The film looks as good as it ever has, with rich stable colours (especially and appropriately the orangey-red of the credits and the blood) and a clarity that highlights previously unnoticed details such as Alex's gouged eyeball cufflinks and enables you to read the newspaper articles which flash by. The 5.1 soundtrack option is amazingly rich, benefiting the nuances of performance as much as the classical/electronic music score and the subtly unsettling sound effects. --Kim Newman
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Most Helpful Customer Reviews
14 of 14 people found the following review helpful:
4.0 out of 5 stars
mesmerising,
By
This review is from: A Clockwork Orange [Blu-ray][Region Free] (Blu-ray)
This review is for the bluray.
This film could so easily fall victim to its own hype because of its history, the reaction to its unveiling, the oscars, the was it banned or just withdrawn? - but it manages to rise above that and stand as a monument to its era, with a message on crime and punishment, that still has something to say to us today. Despite coming out in 1971 it somehow screams 'sixties' to me. I've never seen this film before. As a teenager I read the book, at least twice. Even then I was part enthralled, part repelled; by the casual violence, the state intervention and the end result. So I recently bought the bluray and my reaction was pretty much the same. The film has a mesmeric quality about it. The 'ultraviolence,' the exclusive language, the use of music and the strange clothes. It was very carefully choreographed, particularly in the fighting and rape scenes, which for me at least gave a detached view, almost like watching a musical. The scenes in the milk bar were very much stranger than anything I managed to imagine from the book. If you haven't seen it you are definitely missing an experience you wont forget quickly. Picture Quality was pretty good for a film of this age. Colours were good, particularly flesh tones, and the contrast was very good with the white clothes and strong coloured interiors. Some of the household interiors were quite psychedelic. Grain is evident much of the time, but for me at least it didn't detract from enjoyment of the film. It seemed to lend it an authentic feel. Audio quality was good - there is an uncompressed pcm 5.1 track as well as a dolby digital 5.1 one. Sound is biased towards the front and dialogue is clear and distinct throughout. The music is also quite mesmerising. I don't think 'singing in the rain' will ever sound quite the same again. So overall well worth watching if you have a strong enough stomach. It is strange, violent and stylised - but as a key milestone in the history of film viewing it was well overdue for me.
36 of 39 people found the following review helpful:
4.0 out of 5 stars
I prefer to watch other kind of films, but ...,
By M. B. Alcat "Curiosity killed the cat, but sa... (Los Angeles, California) - See all my reviews (REAL NAME)
This review is from: A Clockwork Orange [1972] [DVD] [1971] (DVD)
"There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, and we sat in the Korova Milkbar trying to make up our rassoodocks what to do with the evening. The Korova milkbar sold milk-plus, milk plus vellocet or synthemesc or drencrom, which is what we were drinking. This would sharpen you up and make you ready for a bit of the old ultra-violence". Strange beginning for a movie, don't you think?. Disregarding that, that's the way in which this movie starts, and more or less what you can expect from the rest of "A Clockwork Orange". This film tells the story of Alex (played by Malcolm McDowell), a teenager that has his own gang, and that does all kind of despicable things, from robbery and battery to rape, all without remorse of any kind. This band of outlaws has its own slang ("nadsat", a mixture of English and Russian) and dress code, and only one law: violence. Due to a fall out with the rest of the gang, Alex is caught by the police after commiting murder, and condemned to spend 14 years in jail. Looking for a way to get out of jail early, Alex volunteers for a ground-breaking experiment, that supposedly transforms criminals into law-abiding citizens. He is chosen, and "conditioned" against violence, the end result being that he feels nauseous merely by the idea of committing a violent or sexual act. A secondary effect is that he now hates the music he had always loved, Beethoven's 9th symphony. As a consequence of all this, Alex gets an early release from jail, and is thrown into the world without any kind of defense mechanism. The truth is, he has to be a model citizen because he doesn't have any other option. In a way, Alex is like a machine (a "clockwork orange"), because his actions are preordained. But how will the world treat this new Alex?. And do his actions have any kind of merit, if they aren't inspired on free will?. You can answer one of those two questions quite easily if you watch "A Clockwork Orange". The other involves a conclusion you will have to reach for yourself after watching the movie and reflecting on it for a while. A word of caution is in order, though. "A Clockwork Orange" includes many explicit sex scenes, lots of violence, and parts that will make you recoil in disgust. If you think I'm exaggerating, take into account that even nowadays this movie is not for sale to persons under age 18, and that when it was first released in 1971 it received an "X" rating. Finally, I want to point out that this movie is based on a book of the same name written by Anthony Burgess, that significantly differs from the film, especially in what regards to the ending. Furthermore, I think it is worthwhile to highlight the fact that Burgess didn't like his own book too much, and absolutely hated Stanley Kubrick's filmic version of it. Unfortunately for him, the movie helped to promote the book, and "A Clockwork Orange" has becomed Burgess' most well-known work. All in all, and as a conclusion, I think this film is worth watching, and I recommend you to do so if you believe you can stomach the violent parts in order to eventually understand the message beneath them. I prefer to watch other kind of films, but I understand that this is a classic, and that as such it should be watched at least once. Belen Alcat
5 of 5 people found the following review helpful:
5.0 out of 5 stars
Stanley Kubrick's Masterpiece that brings an intriguing story to life.,
By
This review is from: A Clockwork Orange [Blu-ray][Region Free] (Blu-ray)
One of Stanley Kubrick's iconoclastic films are on Blu Ray (and as are all of his masterpieces ranging from "Barry Lyndon" and even "Paths of Glory" just not "Fear and Desire", "The Seafarers" and "The Killing" that has been released on Blu Ray yet), and trust me it's nothing worth dismissing, regarding it's dark tone and bizarre premise. It tackles a story about a boy named "Alex" who enjoys spreading anarchy and chaos with his friends by being violent to people, of total innocence, tackling gangs for kicks and doing the "In and out" (as quoted by Alex in the movie) with women. But after his crimes are recognised by the police, after knowing of his identity, he is sent to prison on a 14 year sentence. But fortunately for him he is given the chance to become a reformed human being within his society, if he is willing to face the challenge. And what he goes through to become a society-fitting human being is unbearable to watch, yet highly intelligent with the premise it's using to take on the concept (I won't mention what it is) to reform him. When he is reformed, his wronging's on the "innocent" people he scarred are now coming back to bite him.
The movie is unique. It's not all about the brutality of what Alex has done, it's imp-actual to the psychological department and emotive department of it all too - How he's going to regret it the rest of his life, how his music is an inception of bad things which are now an occurrence of bad memories (The treatment really demonstrates this) and how the victim's he has either killed or raped, who we were sympathetic for, now that they can get revenge we instantly feel sorry for Alex. It's very... Bizarre. It's said that the controversies in this film made Stanley actually withdraw the movie for years later. So imagine what that says about the movie. The imagery, compounds and drama are excellently added in. It's said to be a more futuristic film of the decade it was released in (and I am heavily convinced undoubtedly that the direction of the movie concentrated on that quite well). It's amazing how everything topples on him and how the life he was leading as a psychotic human being was much better than that of the one he is leading as a civilized person. I was sceptical to the initial impression that I got, but as the movie progressed it had me hooked to the intellectuality of Stanley Kubrick's premise, which wouldn't have been achieved without the novelization by Anthony Burgess and the powerful acting of Malcolm Mcdowell.
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