Clear Light of Day is at once an accomplished family drama, a book about growing up and memory, and a historical novel. It captures Old Delhi as it once was and will never be again. It is beautifully written and is a must for anyone interested in modern India.
The novel begins with the reunion of two sisters, Tara and Bim, at the old family house. Bim, once the stronger-tempered of the two, has stayed at home. She is single, teaches at a local school, and looks after their mentally challenged brother. Tara, more accomplished and, as a diplomat's spouse, well-travelled, is prepared to look at the past with more benevolence than Bim, who feels she has somehow been cheated. Much of the drama revolves around their elder brother Raja who, having taken the most risk, is arguably the most successful of the three, but is also cut off from his roots. Indeed, Raja, in pre-partition days, had chosen to pursue Urdu poetry and Islamic studies (the Das family is Hindu), and join the clan of his Muslim hero and mentor, Hyder Ali. The novel alternates between the present and the pre-partition past, between the protagonists' youth and maturity.
Clear Light of Day also works as a historical piece. It conveys the partition and its dangers with considerable power yet without recourse to either brutal or soppy scenes. And it touches upon the politics and their perception among the ordinary people of Delhi. It also portrays Delhi in a vanished light, with scenes on the sandy banks of the Yamuna, Hyder Ali riding by on a white horse, and evocations of a city of gardens and wild birds that is now buried in concrete (note that even Clear Light of Day's present is 1980, the date of writing, not that of a now utterly transformed Indian capital).
Anita Desai is a diaspora writer, but she spent her formative years in India. She has been heard to state that this novel is her most autobiographical, though since Ms Desai's mother was European, this cannot be taken literally.