- Hardcover: 288 pages
- Publisher: Yale University Press (2 Aug 1999)
- Language English
- ISBN-10: 0300075332
- ISBN-13: 978-0300075335
- Product Dimensions: 25.9 x 19 x 2.8 cm
- Average Customer Review: 5.0 out of 5 stars See all reviews (1 customer review)
- Amazon Bestsellers Rank: 1,581,000 in Books (See Top 100 in Books)
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Product Description
An inquiry into the foundations of European culture. The account ranges from the Greek Dark Ages to the Christianisation of Rome, revealing how the experience of a constantly changing physical environment influenced the inhabitants of Ancient Greece and Rome.
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Most Helpful Customer Reviews
0 of 1 people found the following review helpful:
5.0 out of 5 stars
interesting stuff,
By
This review is from: Classical Art and the Cultures of Greece and Rome (Hardcover)
Even for a general read on the basis of our Western culture this is an excellent book. Onians hints in the preface about the plasticity of the mind, and this books seems to be a precurser to his ideas of art and neuronal synaptic plasticity, which has morphed from his Pliny-esque natural history of art; and through his postgraduate course "art and the brain" to his new book neuroarthistory.
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Most Helpful Customer Reviews on Amazon.com (beta) Amazon.com:
4.7 out of 5 stars (3 customer reviews) 6 of 6 people found the following review helpful:
5.0 out of 5 stars
A Single-Volume Classic,
By Robert Morris - Published on Amazon.com
This review is from: Classical Art and the Cultures of Greece and Rome (Hardcover)
This is a magnificent achievement. Here in a single volume, in the English language, is a definitive introduction to the origins of contemporary culture. The reader is provided with a wealth of information but also with a wealth of illustrations...all of which, explained by Onians with compelling eloquence, but also answers to questions such as "What are the foundations of western civilization?" and "What is the human fabric of those foundations?" The material is organized as follows:Chapter One The Culture of the Greek Workshop Chapter Two Greek Art and the Culture of Conflict Chapter Three Greek Art and the Culture of Competition Chapter Four Hellenistic Art and the Culture of Character Chapter Five Roman Art and the Culture of Memory Chapter Six Rome and the Culture of Imagination Chapter Seven The Culture of the Christian Church According to Onians, "The power of Greek art over Rome, and then of Greek and Roman art over later generations, resided less in the multiplicity or complexity of that art than in its embodiment of a limited number of traits, traits such as the hardness, mathematical regularity, lifelikeness, uniformity, physical energy and emotional expressiveness of Greek art, or the memorability, monumentality, personality, material and formal richness, flexibility and simplicity of that of Rome." What Onians has accomplished is nothing less than a cohesive and comprehensive analysis of Classical art and of the cultures of ancient Greece and Rome. Some (very few) books serve as a "magic carpet" which transports their reader to ancient experiences which would otherwise be inaccessible. This one of those books. Remarkably, without in any way compromising his scholarly standards, Onians functions as a congenial as well as knowledgeable companion. His seems to be an intimate as well as thoroughly familiar with everything and everyone he discusses. 2 of 2 people found the following review helpful:
5.0 out of 5 stars
Gripping and fascinating reading,
By Taulapapa - Published on Amazon.com
This review is from: Classical Art and the Cultures of Greece and Rome (Hardcover)
Onians brilliantly re-contextualizes, from an organic grounded perspective, the way in which one looks at the so-called Classical worlds of ancient Greece and Rome, which not only lends insight into the impetus and meaning behind the beauty and power of their artistic achievement, but challenges the generalized ways of looking at art in our world. In reading the Amazon/Reed review above, I can only imagine the reviewer expected something geared towards a less mature readership, as this is truly an incisive and thoughtful book that held my interest throughout, and as good books do, it not only gave me something new to look at, but also gave me a new way of looking at things. Bravo, John Onians! 1 of 3 people found the following review helpful:
4.0 out of 5 stars
What is the diference between a Greek and a Roman?,
By jmors@monumental.com - Published on Amazon.com
This review is from: Classical Art and the Cultures of Greece and Rome (Hardcover)
The book provides fresh insights into the Classical arts, by approaching the topic from the viewpoint of culture and environment. In fact, the book could be more appropriately titled "How the physical environment of Greece and Rome created the character and culture of their civilizations, and ultimately their art".For example, the physical environment of Greece determined the military strategy of the Greeks. The point is then made that their emphasis on their rectangular military formation ( the phalax? )led to the Greek interest in mathematics, and conversely that the ascent of Sparta is related to the migration of mathematicians to this region. This flows over into architecture, with the form of the temple actually being a representation of this formation. The book reads well, especially when Onians discusses Roman culture beginning with the dilema that the Greeks prouded themselves on their minds and their classical completeness as men, and yet the Romans who had none of these qualities conquered them in about 40 years. He then discusses how the Romans, who although trying to emulate Greek culture, were only really culture tourists, and therefore their Greekness was only superficial. His explanation for the decline of the Roman empire makes fascinating reading, and explains a lot about the success of Christianity. For each idea presented, Onians provides substantial evidence, and the reasoning follows a consistent logic. The skill of writing is evident form the fact that each topic is self-contained without references to other sections of the book. My only criticism is that a shortage of commas does make some reading a bit difficult, however despite the academic nature and content of the book, it is very easy reading. |
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