This compendium contains a variety of riches from seven different sources, including extracts from the original sleeve notes, as follows:
A. The 4 tracks recorded in New York 1952 with part of the MJQ for the LP "Singing and Swinging", on which she split vocal honours with Dorothy Dunn and Shelby Davis.
B. Three singles recorded in New York in late 1952 with a jazz quartet.
C. The album "Annie by Candlelight" plus the EP "Nocturne for Vocalist", both recorded in London in 1956 with the Tony Crombie Quartet
D. The 10 numbers from the LP "A Song with Mulligan" which was recorded in New York in December 1957 (NOTE: an earlier CD reissue ran to 16 numbers)
E. The album "A Gasser" recorded in Los Angeles in early 1959 with a jazz quintet.
F. The album "Gypsy" recorded in Los Angeles in 1959 with Buddy Bregman.
The running order on the two CDs is A, C, F, B (1)/ E, D, B (2).
Annie is in fine fettle throughout, interpreting the lyrics in her highly individual manner, but always respecting the songwriter's intention. Her rendition of "Skylark" is a thing of beauty, and "I've Told Every Little Star", recorded at the same session, is a delightful exercise in vocal delivery. Buddy Bregman the arranger on the "Gypsy" album, was the nephew of Jule Styne, the score's composer. I doubt this was a big seller when it first came out, but it's certainly stood the test of time.
Good as the first CD is, it's merely the curtain-raiser for Annie's recordings with two of the heavyweights of the then contemporary jazz scene. Despite the prominence of Zoot Sims' name on the original LP sleeve of "It's A Gasser", he was replaced on three numbers by Bill Perkins, and the backing quintet was led by pianist Russ Freeman, who also produced the arrangements. Apart from a couple of up-tempo songs, it's lovely, smoky, small-hours jazz with a perfect understanding between all concerned.
It's Annie's partnership with the Gerry Mulligan Quartet which produces her jazziest performances. In addition to the leader, it features either Chet Baker or Art Farmer on trumpet, Bill Crow or Henry Grimes on bass, and drummer Dave Bailey. The choice of material is excellent, and includes Annie's third version on this compilation of "Between the Devil and the Deep Blue Sea". All concerned play their socks off, and produce jazz of a very high order.