Following on from similar releases from artists on EMI, joining the ranks of Gerry and the Pacemakers, Billy J Kramer, Manfred Mann and others, is this box set of The Hollies encompassing everything they released from April 1963 up until the departure of Graham Nash late on in 1968, hence the title. Whereas most of the other sets in this series (and I guess it could be termed that) have consisted of three or four discs and between sixty and ninety tracks - though that includes both stereo and mono versions - this has a stupendous 158 songs spread across six CDs. The only duplications here are in the form of live, foreign language versions or a couple of alternate versions. Value for money? Too right it is!
Much of what is available has already been issued in remastered form since the early 1990s, and is available on various reissues and compilations, but it's the tracks that have been remastered for this and the versions never before released which make this collection worth getting. The three songs in French are interesting enough, but it's obvious some leeway had to be taken in their translation to make the lyrics scan and fit the music. (Whereas The Beatles rerecorded the backing for their two German language songs, The Hollies merely dubbed the foreign words onto the original backing, on which, if you listen carefully, you can just make out the English vocals.) Yes, there are some throwaway songs on here but lots of stuff to recommend, especially the eight live songs. Recorded at the Lewisham Odeon in May 68, it shows how the audience had matured somewhat by the lack of screaming. Yes, there is a bit of that heard inbetween but maybe songs such as `Butterfly', `The Times They are A Changing' (available elsewhere in mono), and `King Midas In Reverse' (an unrewarded classic) were too sophisticated to align themselves with the scream circuit. ('Carrie Anne' surprises the audience, and no doubt everyone listening to this, with its steel drums instrumental being replaced with violins.)
Other than the eight live songs at the end of the compilation, everything on here is in recording sequence, so it gives a taste of how the Clarke/Hicks/Nash writing team progressed. The accompanying booklet has a question and answer session with Graham Nash and a UK discography, as well as some nice photos, though it would have been nice to see it expanded, particularly the Q&A part. What's also good to see is each CD is a reproduction of the Parlophone single label. It would have been better had there been some alternate takes and other unissued material included, but I guess you can't have everything. One can only speculate how different it might have become had the group committed `Marrakesh Express', `Lady of the Island', and `Teach Your Children' to tape when Nash offered them up for recording.