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Although visually tricksy with some strong set-pieces, The City of Lost Souls is rather hazy when it comes to story and characterisation. We get little sense of the runaway couple as people. A young blind girl is introduced into the tale and there are romantic moments between Mario and Kei but these feel like sugary palliatives to the bloodshed rather than touching moments. Better perhaps to check out Takashi's Audition, a brilliantly gruesome satire on male Japanese attitudes towards womanhood. This is a flashier, faster but less artistically satisfying affair.
On the DVD: The City of Lost Souls is presented in video aspect ratio 1.85:1, with reasonable clarity and sharpness. However, the English subtitles are a little pidgin and slapdash in places, none of which improves the main special feature, a rather dull and vague interview with director Takashi. --David Stubbs
Aspect Ratio: 1.85:1
Language: Japanese
Subtitles: English
Star and Director Filmographies
Original Trailer
Tom Mes Film Notes
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Having seen his beautifully creepy Audition, i read great things about his others works, and seeing that 'Dead or Alive' and 'The City of the Lost Souls' were both out here i quickly snapped them up. I just watched 'City...' and will be off in a sec to watch 'Dead or Alive', but havent yet so i apologise for the lack of reflection between the two.
City of the Lost Souls is a crzy, primary colored, fierce look at the seedy underworld of Asia. But unlike most films like this, it centers around a romance story, that whilst never really being explored, is tragically beautiful enough to keep the story going. The editing of this film is clearly were it made its mark, and i applaud it for its gorgeous and inventive scenes of metaphorical madness, and imaginative sequences of magical make-believe. Like a honey coated cross between Natural Born Killers, True Romance, Doom Generation, Nowhere, and a Wong Kar-Wai flick, we are driven through cut after cut of almost surreal visual narrative.
Whilst it's slightly hard to follow in places, and is really only worth watching if (like me) you crave visual substance and pure creative energy, the film still manages to carve out a seat for itself amongst Asia's finest. It has none of the meditative poetry of say Takashi's Hana-bi, and none of the blurry romantic urbaness of a Wong Kar-Wai film, but it is so damn inventive that you have to sit up and take notice. If it had not been handled so perfectly one could almost imagine it as yet another terribly acted, and abysmally directed Asian fantasy films that 98% of the world loath ! But thank god the fantasy elements here are plucked straight as an insight into the lead characters minds, and more importantly - Miike Takashi's.
Apparantly Dead or Alive is even better ! So i'll be back to review it in a bit.
If you like this then check out the beutifully filmed 'Bangkok Dangerous' and a personal fav of mine 'Nowhere To Hide'.
This film is nothing like i've ever seen done. It takes multiple languages/cultures and clashes them in a funny, violent and all around fun film. The characters are kinda cartoonish but they all have a dark edge to them. The lead man Mario (played by japanese-brazilian porno star Teah) barely speaks thoughout the film but he has some sorta superhuman edge to him. The story here is that Mario just got outta jail and his woman Kei is risking deportation so after crashing the deportation bus and killing a few people he gets Kei, not before they envelop a plan to rip off some coke from a yakuza/triad/russian mob connection. Yeah it's confusing but easy to follow. The soundtrack is awesome, with some punkish tunes to fit the mood and more mellow songs to fit that mood. It all works well. There is violence, and lots of it, a few quick but awesome shootouts and some bloodier goings on but not as brutal as other Miike films (DOA for one). The acting is good, but like I said it's a bit cartoonish and over-the-top at times. The ending is well.... A letdown in terms of quality. But this is still a great film, with lotsa style (a CG chicken cockfight for one term), humor (a midget, slapstick humor) and just plain fun.
Recommended.
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