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I am tempted to leave it at that. There is no doubt that this is fetish photography. The liner notes write of Slocomb's vision of Tokyo as `a city seething with undercurrents of violent fantasy, fetishism and bondage.' What gives me a problem is that Slocombe's images lack the kind of intensity that I would expect in this kind of photography. If anything, the bandaging de-sexualizes the women, unlike true bondage, which over-emphasizes sexuality.
The printing style emphasizes this difference. All but the cover are in black and white, and are a bit soft in tone and focus. Composition is very offhand and snapshot-like. The overall effect is almost ethereal and bloodless. It's as is we are living in a dream, but one that lacks a story line. I find myself intellectually understanding the implications of the photographs, but totally lacking any visceral reaction.
If I were to attack the same problems, I know I would do it differently. I would strive for some element (other than the mere presence of bandaged women) to focus the viewer and provide continuity over the range of images. Slocombe's choices are interesting, but I do not find them compelling
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