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Circus Philosophicus
 
 

Circus Philosophicus [Kindle Edition]

Graham Harman

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Product Description

Product Description

Platonic myth meets American noir in this haunting collection of philosophical images, from gigantic Ferris wheels to offshore drilling rigs.

About the Author

Graham Harman is Associate Vice Provost for Research and a member of the Department of Philosophy at the American University in Cairo, Egypt.

Product details

  • Format: Kindle Edition
  • File Size: 221 KB
  • Print Length: 93 pages
  • Page Numbers Source ISBN: 1846944007
  • Publisher: O-Books (26 Nov 2010)
  • Sold by: Amazon Media EU S.à r.l.
  • Language English
  • ASIN: B004GHMU8I
  • Text-to-Speech: Enabled
  • Amazon Bestsellers Rank: #240,826 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Amazon.com:  3 reviews
8 of 9 people found the following review helpful
Pleasure Philosophicus 20 Jan 2011
By Joseph C Goodson - Published on Amazon.com
Format:Paperback
Graham Harman knows how to capture a reader's attention with vivid, enchanting prose, and nowhere is this more evident than in this slim, little volume. You just won't find philosophy like this anywhere else. Each chapter is an adventure, some purely imaginary, some culled from Harman's personal experience, all made to illustrate key theses of his own object-oriented philosophy. The landscapes and imagery are as surprising as they are breathtaking: monstrous Ferris wheels which descend deep into the earth and reach up into the sky; an horrific philosophical duel between philosophers and devils deep in Hell over the fate of autonomous objects; a nightmarish evening stranded on a offshore drilling rig becomes the occasion for philosophical storytelling, turning all entities into merciless drills, siphoning simulacra from each other; a rustic calliope passing by on a twilight beach in India conjures up a fever dream of Leibniz and a universe made of an infinite regress of calliope-like machines; tales of a spooky, ghostly fishing boat off the cost of Japan occasion reflection on the sensual facades and withdrawn darkness of all objects; finally, while staying at sociologist Bruno Latour's Paris flat, a flag seen through the window has a sleeping zebra, which, along with a nice dose of burgundy, sparks a myth of the dormant object. The book is so dramatic and engaging, I imagine it would hold the interest of those who care little for philosophical content. And for those that do, it will create memories and ideas too strange, but also, too compelling, to easily shake off. This is a philosophy that haunts the mind.
4 of 6 people found the following review helpful
Interesting, but also wearyingly self-indulgent. 19 Sep 2011
By I. Allen - Published on Amazon.com
Amazon Verified Purchase
The book is not inane. That is, there's some real weight to the philosophy it's working through. In effect, Harman has taken the worst of Heidegger (everything a thing-in-itself, with Being receding between all these things and placing them thereby in constitutive but unsatisfying relation) and given it a weird, Leibnizian twist (he presents the twist as Leibnizian, anyhow; to call it that, he ends up having to twist Leibniz quite a bit already). He's finished this off by subtracting any necessarily human participation (or so he thinks he's done).*

As an intelligent representative of a current trend in philosophy (object-oriented ontology, speculative realism, or whatever they're calling it presently), Harman is worth reading. The book is speckled with moments of insight and the occasional nicely turned phrase. There's a feeling of creativity running through it.

That said, it's also stylistically wearying. Harman is one of the most affected, Henry-James-on-the-wrong-side-of-the-bed writers I've grumped my way through in years. Don't get me wrong, please: I love a good myth. And I even like a certain amount of coy self-historicizing (though not all that much--and there's *lots* here). The trouble is that Harman doesn't do either well. The myths have a tendency to fall apart at the seams, and the self-historicizing is not so much coy as frankly self-indulgent. Harman neither fictionalizes enough to make the stories sing nor edits enough out to make them fly by. I was repeatedly left feeling he thought I should care about his personal life enough to want to know more. I didn't.

In sum: of interest and short enough that you probably won't feel you've wasted your time, but far from special.

* Disclaimer: Obviously, I don't find Harman's philosophical positions convincing. If this were an academic review, I'd go into why that is. I will, however, note that I quite like what he's done with Leibniz, since in effect he ends up with more or less what Badiou's been saying since the '80s. Even then, though, I suspect he'd do better to engage Badiou directly than to doll Leibniz up.
3 of 9 people found the following review helpful
underwhelming 9 July 2011
By Alyse Woodard - Published on Amazon.com
Format:Paperback|Amazon Verified Purchase
Though it touts itself as a legitimate vehicle for some seriously weighty discourse, my best description for 'Circus Philosophicus' would be: underwhelmingly simple.

Popular Highlights

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&quote;
space is the name for the fact that things fail to be in direct contact without being outside all contact entirely. &quote;
Highlighted by 4 Kindle users
&quote;
This tension is what Husserl calls the eidos (in a different sense from Platos). It is a tension between the sensual objects of experience and the features they truly need to exist, though in the case of sensual objects that existence must be for some perceiver. &quote;
Highlighted by 3 Kindle users
&quote;
Real objects, no less than sensual ones, are torn between their unified reality and their plurality of specific traits. They are not empty poles of unity, but have distinct qualities without being mere bundles. And thus we have the fourth tension in things. &quote;
Highlighted by 3 Kindle users

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