Watch now

Have one to sell? Sell yours here
Sorry, this item is not available in
Image not available for
Image not available


Circus of Fear [DVD] [Region 1] [US Import] [NTSC]

4.0 out of 5 stars  See all reviews (3 customer reviews)

Available from these sellers.

Looking for Bargains?
Check out the DVD & Blu-ray Deals of the Week page to find this week's price-drops. Deals of the Week end on Sunday at 23:59.

Region 1 encoding (requires a North American or multi-region DVD player and NTSC compatible TV. More about DVD formats.)

Note: you may purchase only one copy of this product. New Region 1 DVDs are dispatched from the USA or Canada and you may be required to pay import duties and taxes on them (click here for details). Please expect a delivery time of 5-7 days.

What Other Items Do Customers Buy After Viewing This Item?

Product details

  • Format: Black & White, Colour, DVD-Video, NTSC
  • Language: English
  • Region: Region 1 (US and Canada DVD formats.)
  • Aspect Ratio: 4:3 - 1.33:1
  • Number of discs: 1
  • Classification: Unrated (US MPAA rating. See details.)
  • Studio: Vidtape
  • DVD Release Date: 28 Sep 2004
  • Run Time: 91 minutes
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (3 customer reviews)
  • ASIN: B0002V7S7A
  • Amazon Bestsellers Rank: 440,592 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Customer Reviews

4.0 out of 5 stars
4.0 out of 5 stars
Most Helpful Customer Reviews
11 of 11 people found the following review helpful
5.0 out of 5 stars More A Thriller Than a Horror 12 July 2009
First things first if youre expecting blood and gore and a big presence from Lee you are going to be disappointed. This is more of a crime thriller than a Horror but none the less it is well worth your attention. The Horror is psychological and Lee's performance is understated but still strong.

I must praise Blue Underground for their treatment of this film. The elements they have used make this a gorgeous treat for the eye. Quite simply the best transfer of this film I have seen and equally as good is the fact that its the fully restored version with English titles/credits. The colour looks natural , the sound is in keeping with the period and over-all it is very well presented. There is a commentary with the director also. What more could you want ? Trailers ? Both US and UK ones are included.

I cannot recommend this highly enough. Rare glimpses of sixties London and there's even a car chase filmed in real time! But make sure you get this DVD from Blue Underground , accept no substitutions!
Was this review helpful to you?
3.0 out of 5 stars An unusual film 19 Mar 2012
Unusual Christopher Lee vehicle which starts off as a well executed robbery (well almost) but then quickly leads the viewer into a different sphere where circus performers abound and secrets from their past rise to the surface. A number of red herrings are introduced into the plot and it becomes a little unclear as to whether this is a whodunnit, a (mild) horror or a semi documentary of circus life! With more twists and turns than Brands Hatch, it makes for interesting viewing if ultimately let down a little by a somewhat wet ending.
Comment | 
Was this review helpful to you?
0 of 1 people found the following review helpful
4.0 out of 5 stars Pleasing Hammer 26 Oct 2011
By Haggy
This is a delight. Not a horror movie but a suspenseful crime-mystery, it commences with a robbery on Tower Bridge and proceeds quickly, following the loot, to rural England where murder and black-mail are set in motion at a resting out-of-season circus. Klaus Kinski's robber lurks scowling in the shadows, Christopher Lee's lion-tamer sports a black bag on his head for most of the film, and Skip Martin mooches about smoking, spying and black-mailing. For its low budget this Hammer fare is tightly plotted, well-scripted and -acted and very entertaining. I bought it to complete my set of Skip Martin DVDs (I understand he appeared in only four films - this, Masque of the Red Death, Vampire Circus and Horror Hospital - and I would recommend them all.) Hammer turned out some unusual and worthwhile films outside of the horror genre. This would be a good place to start exploring them.
Was this review helpful to you?
Most Helpful Customer Reviews on (beta) 2.8 out of 5 stars  9 reviews
16 of 16 people found the following review helpful
3.0 out of 5 stars Barbarini's Circus, come for the fun, stay for the...MURDER! 20 April 2004
By cookieman108 - Published on
Circus of Fear (1966), aka Circus of Terror (1966), aka Psycho Circus (1967), as it was known in the United States, is based on a novel by prolific writer Edgar Wallace, who, among other works, also wrote the novel that became the basis for the film King Kong (1933). Circus of Fear, directed by John Moxley, probably most remembered for his work on television, The Avengers, The Saint, Mission Impossible, Mannix, Hawaii Five-O, The Night Stalker, any much more, was also responsible for the film Horror Hotel (1960).

The film takes place in England, and starts out with the robbery of an armored car. Things are going smoothly, until one of the guards sees an opportunity to escape, and gets shot by the other guard. inside job. Anyway, the men make a unique escape, and meet up later in a hidden location. A call to the anonymous mastermind of the heist, who none of the actual robbers have ever met, provides specific instructions with regards to the inside man and the rest of the gang. The inside man is told to take the money to a remote location, and the others leave, with the idea that they will get their shares later, but soon get caught by the police through an anonymous tip, as the inside man reaches the rendezvous, near the winter quarters of a local circus, only to meet with an untimely end. The money is taken, and the mystery begins to unfold. As the police continue their investigation, bank notes begin appearing in the area of the circus' winter quarters, and Inspector Elliot (Leo Gurn) suspects the person or persons involved in the theft may be hiding out at the circus. We soon meet various performers of the circus, which sets up a whole load of red herrings, as the performers are presented as a volatile lot, prone to acting like overgrown children. Among the performers is Gregor (Christopher Lee), the lion tamer who always wears a mask to conceal his horrible disfigurement due to a supposed accident involving a rambunctious kitty. The inside man's body is discovered on the grounds of the circus, and a performer is also kakked shortly thereafter, reinforcing Inspector Elliot's suspicions with regards to the killer and his/her connection to the circus. More and more clues (most useless) are thrown our way as histories are revealed, and the plot gets fairly convoluted. Klaus Kinski is listed as an actor in the film, but his role is limited as an original heist man who followed the money to the circus. I would say he has about five minutes of total screen time, and absolutely no development for his character is presented, making his role essentially useless. So who is the mastermind? Who is responsible for murdering various individuals throughout the film? What secret does Gregor hide behind his mask?

As others have stated, this would appear to be a horror movie on first glance, but it isn't. It's really a somewhat bloated mystery/drama, presenting, rather clumsily, a number of suspects. The way motives were thrown around so obviously will make you groan, and when you finally do discover the identity of the mastermind behind the crimes and his reasoning, you may be disappointed. There was little, if anything, that would have drawn the viewer to pick that individual as the criminal, other than that's how is was written in the script. I do like Christopher Lee a lot, but his role here seems to be more of the producers using the star power of his name more than anything else to sell the movie. Leo Genn provides a great performance as the harassed by his supervisor inspector, more or less riding out the plot threads until they produce the culprit. He does piece together the puzzle near the end, but given the information we had offered by the film, I am still unsure how he came to the conclusions he did, making the whole `mystery' element a little awkward and clunky. The film started out strong, but ended with a bit of a sputter for me. And I have to say, I kinda felt sorry for the animals shown, the lions and elephants, as they all looked rather tired and sickly, as is often the case of circuses and zoos, despite even the most well-meaning efforts to care for the animals.

Blue Underground provides a really nice looking wide screen print here, along with a number of special features, including a commentary track by director John Moxley, American and U.K. trailers for the film, poster, press book and still galleries for the film, and very detailed talent bios of actors Christopher Lee and Klaus Kinski. The film here runs 91 minutes, compared to a meager 65 minutes on a previous VHS copy I saw, suggesting that maybe this is a truly restored version. In the end, I would say this is a three star release of a two star film. By the way, I really loved the tagline for this film, `The most horrifying syndicate of evil in history!' A syndicate, to me, at least, implies more than just one person...but okay, let's go along...'The most history'? Oh about `selling it'.

14 of 15 people found the following review helpful
4.0 out of 5 stars PRETTY GOOD MYSTERY THRILLER..... 1 Oct 2003
By Mark Norvell - Published on
I was hugely disappointed that this wasn't at all what I hoped it was...that being a Euro-shocker along the lines of "Circus of Horrors". What I found instead is an OK mystery based on a novel by Edgar Wallace that's fairly engrossing with some neat surprises. After an admittedly good opening about an armored car heist, the story shifts to Barbarini's Circus which has an atmosphere rife with tension: assumed identities, jealous romance, a dangerous lioness named Sheba, her hooded tamer Gregor (Christopher Lee), a shifty knife thrower and a blackmailing dwarf named Mr.Big (Skip Martin). The stolen money lands in the circus and an escaped member of the heist is murdered by...a knife thrower. Scotland Yard is soon on the circus grounds and there are red herrings galore. The heist member's body is found and Mario the knife thrower's beautiful assistant Gina (luscious Margaret Lee), who knows something, is also killed by...a knife thrower. The killer is never revealed until the end. To be honest, despite my initial disappointment, this is a colorful, beautifully photographed, well acted (if a tad overplotted) diversion that should please hardcore mystery fans. The music score is moody Euro-jazz flavored and blares at key moments which I found kind've fun. It's not a horror film at all. Instead, it's laced with bizarre atmosphere and genuine intrigue that kept me guessing right up to the end. I did not guess the killer's identity. Good supporting cast with Suzy Kendall as Gregor's "niece", Anthony Newlands as Barbarini, Klaus Kinski as a mystery drifter connected to the heist, Leo Genn as the ringmaster-cum-hero and especially Skip Martin as the nasty Mr.Big. The DVD from Blue Underground is superb in quality. I don't know why this was cut so severely when making the rounds as "Psycho-Circus". There's no gore or nudity. Just solid, well made storytelling. The action shifts between Scotland Yard and the circus and is rather tame...yet it sustains your interest. I have to recommend it as a pretty good mystery for fans of the genre and for fans of good British thrillers. But, keep in mind that "Circus of Fear" is NOT a horror film. I hope it doesn't disappoint too many people because it IS rather good and deserves to be seen and appreciated for what it really is...a really decent mystery-thriller.
2 of 2 people found the following review helpful
3.0 out of 5 stars Dracula Meets Mr. Big. 21 Nov 2003
By Robert S. Clay Jr. - Published on
Christopher Lee must have been very busy back in the '60s. He was taking every movie role in sight. Perhaps that explains why one of Hammer's major stars surfaced in this minor thriller. To set the record straight, despite an attempt to package this flick as a horror film, it's really a crime melodrama that begins well but falters along the way. A diabolic super criminal takes refuge with a British circus after masterminding an armored car robbery. It gets better. Lee plays the hooded lion-tamer/knife thrower that leads the suspect list. If we follow the logic, the filmmaker wanted a popular actor such as Lee just so he could hide his face behind a hood for much of the film. Go figure. The diminutive Skip Martin is great as Mr. Big, the small chap with a big attitude. Distinguished actor Leo Genn must have been amused by his role as a police detective. He keeps looking bemused and fatuous even after being chewed out by his boss. The cadaverous Klaus Kinski is around just long enough to suffer a stabbing pain. There is also the usual bevy of circus girls in their revealing costumes. As all circus pictures, the film uses screen time of real circus performers doing their acts. For American viewers, the European backgrounds may add a certain charm. The flick takes itself too seriously to be enjoyed as camp. As a straightforward thriller, it's harmless fun. Depending on which edition you consider, remember that a budget priced DVD is better than a cheap VHS tape, but just barely. Beware chopped up edited editions! ;-)
1 of 1 people found the following review helpful
3.0 out of 5 stars An Edgar Wallace Crime Thriller Not A Horror Film. 30 Dec 2013
By Chip Kaufmann - Published on
During the 1960s there was an entire subgenre of films, most of them German, based on the works of prolific English author Edgar Wallace (1877-1933) who is best known in America for having written the original draft script of KING KONG. He was immensely popular during his lifetime but his reputation rapidly declined after his death. Why he should suddenly become popular again 30 years later, and in Germany of all places, is anybody's guess. Over the course of 13 years (1959-1972) there were 32 German films based on Wallace's books known as "krimis" or crime stories but a few were made elsewhere including 3 in England by producer Harry Alan Towers of which CIRCUS OF FEAR (1966) was the last. Thanks to it's retitling as PSYCHO-CIRCUS with most of the caper elements removed and Christopher Lee's name on the marquee, the movie was marketed as a horror movie which it definitely is not. People who rent or buy the film with that in mind are justifiably annoyed when they find that out but CIRCUS is actually a decent crime/mystery film when seen here in it's original uncut version (91 min -vs- 67 min) and in color.

The film opens with a well executed robbery on Tower Bridge where half-a-million pounds are stolen. Unfortunately one of the payroll guards is killed and the thieves are forced to split up. An anonymous tip leads to the capture of most of the gang. The one with the money is killed near a circus. When a member of the troop (Lee) accidentally finds the money, he hides it. Cut to the circus where we meet squabbling performers, see a few circus acts, and witness a couple of knife murders. Is it the knife thrower? the lion tamer?, or perhaps a blackmailing dwarf? It's up to the ringmaster (Heinz Drache) and a Scotland Yard inspector (Leo Genn) to find out. Perrenial nutcase Klaus Kinski is there, along with Drache, for the German audience where this film was well received. It's much closer in spirit and style to Joan Crawford's BERSERK (1967) than to CIRCUS OF HORRORS (1960). However if you're a fan of crime fiction, enjoy caper films, and aren't overly picky, then CIRCUS OF FEAR is an engaging enough way to kill an hour and a half. Just don't expect great filmmaking even if it was made by the man who gave us HORROR HOTEL.
1 of 1 people found the following review helpful
2.0 out of 5 stars Fearless 29 Jun 2013
By Hammer + Jazz - Published on
Format:DVD|Verified Purchase
Not overly concerned with the pedigree here . Entirely too much attention paid to that and those . What starts out swell (about 20 minutes or slightly more) of a fine caper film , that shows folks who did not grow up in England lots of great images and locations and a terrific theft , devolves . Devolves into "private meetings" galore (much to the amusement of the viewer) . With Christopher Lee delivering almost an entire performance under a sock and completely aimless and shambling screenwriting fully underway , it's a film finished by (1) a completist (2) a masochist (3) an idiot . Distill the three into one with a funnel and i emerge . A bonafide Who-Cares-Who-Done-It .
Were these reviews helpful?   Let us know
Search Customer Reviews
Only search this product's reviews

Customer Discussions

This product's forum
Discussion Replies Latest Post
No discussions yet

Ask questions, Share opinions, Gain insight
Start a new discussion
First post:
Prompts for sign-in

Search Customer Discussions
Search all Amazon discussions

Look for similar items by category