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Cinema 2: the Time-Image (Sources and Studies in Kabbalah) [Paperback]

Gilles Deleuze
5.0 out of 5 stars  See all reviews (1 customer review)
Price: £12.41 & FREE Delivery in the UK. Details
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Book Description

1 Aug 1989 Sources and Studies in Kabbalah
This text continues the major reassessment of cinema begun in Deleuze's "Cinema I: The Movement Image." In this volume, Deleuze is concerned with the representation of time in film and with the cinematic treatment of memory, thought and speech.
--This text refers to an out of print or unavailable edition of this title.

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Product details

  • Paperback: 352 pages
  • Publisher: University of Minnesota Press (1 Aug 1989)
  • Language: English
  • ISBN-10: 0816616779
  • ISBN-13: 978-0816616770
  • Product Dimensions: 21.6 x 14 x 2.2 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 871,591 in Books (See Top 100 in Books)

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First Sentence
Against those who defined Italian neo-realism by its social content, Bazin put forward the fundamental requirement of formal aesthetic criteria. Read the first page
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1 of 1 people found the following review helpful
5.0 out of 5 stars Consciousness is time 15 April 2014
By paul
Format:Paperback|Verified Purchase
Cinema 2 suggests the collapse of ideology after WW2, whereby the sensory motor schema of the movement image (perception, affect, impulse, action) as automatic, ideological and recursive, is replaced by the time image and it's modalities. The time-image is the direct representation of consciousness as time.

The second half of the book, is an essay on the new wave, and recommends the films of Resnais, Robbe-Grillet, Godard and Bresson. Both Cinema 1 and Cinema 2, are excellent books.
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Amazon.com: 5.0 out of 5 stars  1 review
21 of 43 people found the following review helpful
5.0 out of 5 stars One of the best books on cinema 5 Jun 2000
By A Customer - Published on Amazon.com
Format:Paperback
Although Deleuze mentions that this bookfs aim is to make a typology on cinema, for readers, it will be the object of thought more than that. In this book, Deleuze considers many films in which time is not subordinate to movement any longer (the time-image). His way of developing theory is like Bergsonfs one on time and memory, but his theory of time has variations that are reflected in various films and becomes a profound notion of the world with dynamic extension. Deleuze proposes us not only new concepts through films but also the question: What is the world? Deleuze creates a system on cinema as same as he analyzes clearly what is new and what is different from the past films in films of neo-realism or the new wave. While many people have mentioned to genres in films, Deleuzefs analysis of the border between the genres is one of the most precise.
If you had gCinema 1: The Movement-Imageh, this book would be more interesting for you because you could compare the two books. Moreover, this book treats so many films that you must find ones you have ever seen, which makes this book more fascinating.
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