For several years, fantasy films were MIA, except the occasional hack job.
Then Peter Jackson's glorious "Lord of the Rings" came and went, leaving some pretty big shoes to fill, as far as fantasy films go. And while "The Lion the Witch and the Wardrobe" and its grittier sequel "Prince Caspian" don't quite fill those shoes, they come a lot closer than any movie has since. Andrew Adamson brings C.S. Lewis's classic fantasy novels to life with plenty of beauty, drama and solid acting.
With WW II raging, the four Pevensie children are sent to the countryside, at an eccentric professor's mansion. But during a game of hide-and-seek, little Lucy (Georgie Henley) hides inside a wardrobe -- and stumbles into a wintry wilderness, with a faun she befriends. Alas, her brothers and sisters don't believe her -- but they don't know that Edmund (Skandar Keynes) has also gone through, and befriended a sinister, beautiful Witch (Tilda Swinton).
Eventually all four end up going through the wardrobe, but but they soon find that the Witch is hunting for them, in fear that they will fulfil an ancient prophecy. But Edmund has run off to join the Witch. And so the remaining three must join up with Aslan (Liam Neeson), the leonine god-king of Narnia. But the price for victory against the Witch may be too high.
And then we have the drastically different story of "Prince Caspian" -- 1,300 years later, wioth the native Narnians driven underground by human Telmarines.
When King Miraz's (Sergio Castellitto) wife gives birth to a baby boy, his nephew -- the rightful heir -- becomes an obstacle. Young Prince Caspian (Ben Barnes) flees from his treacherous uncle, and is discovered by a band of Narnians. Along the way, he accidentally ends up summoning the ancient Kings and Queens of Narnia -- also known as the Pevensie children, who were waiting at a train station when they were unexpectedly sucked trough a tunnel.
Though initially delighted to have returned to Narnia, the Pevensies are horrified by what has happened to Narnia. Caspian has organized a ramshackle army of Narnians, but Peter (William Moseley) finds that fighting an organized, armed force is very different from battling the White Witch. After a disastrous attack, the Narnians are facing almost certain destruction -- but Lucy (Georgie Henley) is convinced that Aslan can somehow save them, and restore the kingdom to Prince Caspian.
Director Andrew Adamson has obviously given the two Narnia films plenty of creative love, majesty and humor. This is especially difficult because the two films are rather different in style -- the first is more of a children's fantasy, and the second is a darker, grittier war story where some of the good guys won't make it out alive.
Adamson does a spectacular job bringing Narnia to life -- races across a frozen river, tea with Tumnus, the Witch's final battle with Peter, a battle interrupted by raging tree roots and castle-wide battles, as well as the more harrowing character-driven scenes like Miraz taunting his anguished nephew. All of these come to life with remarkable skill and grace. The most powerful scenes are lion-god Aslan's -- including a truly ghastly sacrifice scene that does justice to Lewis' novel.
But Adamson doesn't let it get overinflated on its own ego. When Edmund tells his horse, "Whoa, boy!" it retorts peevishly, "My NAME is Philip!"; and the grimmer "Prince Caspian" is kept afloat by the chivalrous mouse Reepicheep. Those moments of lightness -- and giving Aslan a sense of humor -- keep the films from seeming too grim or self-important.
And of course, the special effects. WETA workship deserves an award (it's been nominated for a few) for the amazing CGI, ranging from Aslan (who looks almost real) to the witch's "resurrection" in a solid slab of ice. They are especially good in battle scenes, which are startlingly savage and brutal for younger viewers' movie.
The young actors do solid jobs here -- the four Pevensie actors do thoroughly solid jobs. The best is Georgie Henley is probably the most capable actress here, conveying misery, awe, delight, childish glee and sorrow. Tilda Swinton is pitch-perfect as the cruel White Witch, Ben Barnes is solid as handsome Prince Caspian, and Liam Neeson sounds suitably warm, kind and paternal as Aslan.
Though Lewis was reportedly against a live-action adaptation of the Chronicles, it's hard to imagine him having a problem with these rapid-fire adaptations -- the sparkling "The Lion the Witch and the Wardrobe," and the grimier war story "Prince Caspian."